When people ask me why I am a writer I usually tell them I am hoping to replicate the joy for others that I experienced as a young reader. I spent so many very happy hours lost in the pages of a good story. I can think of no better use of my time (apart from hanging with my loved ones) than trying to create a reading experience that transports a child to somewhere fascinating, fun, exciting or all of these. But there is another reason. I am rather in love with words.
Like physicists are exploring space to understand the origins of the Universe and create a unified theory about how we and the world work at the most basic atomic level, or mathematicians look to find proof of Fermat's Theorem, I am looking to arrange and rearrange words to create another kind of magic. Despite the fact that words have been around for thousands of years, it is still possible to come up with novel combinations that make us laugh, cry, or feel a sudden enlightening. Or just give the reader a sense of hope or potential about themselves or their future.
Even when we acknowledge there are really no new plots in the world, there are still books being published that are stunning in their originality. I guess in part we are constantly incorporating all we have read, heard, and seen, and the spells in our minds must, as a result, be unique. When I write for children I am conscious of all the wonderful writing for children that has gone before me. I like to leave clues to other childhood stories, fairy tales and nursery rhymes that I have experienced and enjoyed. And I hope that maybe there are young readers out there who have come across the same children's literature that I have and perhaps they recognize my allusions and feel that little thrill of understanding that make them feel a little extra special. Or they see magic in the words and are impatient to go out and find more, to feel that thrill of all that is possible with language. Maybe...
so I was very happy to see this review of my book While You Are Sleeping for Magpies Magazine, by Trevor Agnew.
This handsome picture book explains to young readers just what goes on while they are asleep. Double page spreads show people on the other side of the world enjoying the sunshine. Meanwhile, on our side of the planet it is night. While you are sleeping night creatures wake and eat breakfast in the dark. Nocturnal birds move among the trees, while fish weave their way through black waters. People come out to work and the reader sees trucks dashing through the darkness, bakers rising from their beds, and farmers donning gumboots, while their cows queue for the dawn milking. Some of the word play is charming. While you are sleeping the moon jumps over the cows. Echoes can be heard from nursery rhymes.
Finally the narrative returns to the young sleeper. While you are sleeping your mind and body will rest and grow.
The text is printed in white lettering against the dark night-time backgrounds but it is very legible.
Greg Straight's colour illustrations are a superb evocation of the night. Magnificently stylised owls are to be seen in every picture, while the endpapers repeat the night-sky image of dark purple heavens with silver stars. The stars get their chance to shine. Each picture contains an unexpected detail for readers to seek out: mice, cats, possums and moreporks [owls].
While You Are Sleeping is a wonderful book to share with young readers, especially those who don't see why they should go to sleep.
Trevor Agnew
Showing posts with label While You Are Sleeping. Show all posts
Showing posts with label While You Are Sleeping. Show all posts
Wednesday, April 30, 2014
Tuesday, January 21, 2014
On display...
Oi competition judging is haaarrrrdddddddddddd. There was nothing to pick between the entries. Like really. Everyone was inspired and moved by the books they chose. Yay!! But there can be only one. The entry that seemed to most suggest some kind of personal transformation was Dawn Grant talking about 'I Am David' by Anne Holm which gave her the sense that she too could write stories like this. Dawn, you are my winner. I will be in touch to discuss your prize.
In other news, my book While You Are Sleeping features in my exhibit as part of the What Lies Beneath Exhibition at the National Library in Parnell, Auckland. My display will be there from now until February 20th with an accompanying teacher resource (available on this blog - see below the blog title). My exhibit looks like this:
Sweet, huh?
There are four other exhibits along with mine, covering picture books, non-fiction, junior fiction and YA (mine is for poetry). You can go and see them at the National Library (8 Stanley Street, Parnell) or have a sneak peek here at the What Lies Beneath Exhibition blog. You can also download all available teaching resources there as well. There will be five new exhibits every month till April 20th. You should check them out.
In other news, my book While You Are Sleeping features in my exhibit as part of the What Lies Beneath Exhibition at the National Library in Parnell, Auckland. My display will be there from now until February 20th with an accompanying teacher resource (available on this blog - see below the blog title). My exhibit looks like this:
Sweet, huh?
There are four other exhibits along with mine, covering picture books, non-fiction, junior fiction and YA (mine is for poetry). You can go and see them at the National Library (8 Stanley Street, Parnell) or have a sneak peek here at the What Lies Beneath Exhibition blog. You can also download all available teaching resources there as well. There will be five new exhibits every month till April 20th. You should check them out.
Tuesday, January 14, 2014
A competition - make me a better person
My preparations for Dunedin so far? I am breaking my Docs in. I am (mentally) putting aside DVDs and books I want to take with me. It is going well.
Recently I passed my 700th post (I think this is post 702). I fancy having another competition. More on that later.
Meantime I am working on a few other more imminent things - principally an exhibit about my book While You Are Sleeping for the What Lies Beneath Exhibition at the National Library in Parnell, Auckland starting next Monday January 20th.
And thinking, always, about how I can raise the reputation of children's literature. Folk sometimes recognize the importance of children's books and probably do understand the value in switching children on to being readers. But there is a persistent refusal to believe that a children's book might be literary, like an adult book can be literary. That it might be clever, challenging, thought provoking and capable of making you a better person. This article has been doing the rounds on facebook. It is interesting. I have read a few of the books. I'm not sure they all changed me. I have read other books not on the list that 'have' changed me. But that's always the way with lists. I never agree with everything included, or not included - they are subjective entities. That's okay. But this isn't okay. The one children's book on the list of 50 life changing books is introduced by way of an apology. Sorry for including a children's book. I hope it doesn't offend you reader. Ya know its a children's book, but it somehow actually manages to still have a message that might be of interest/be beneficial to an adult. Maybe it was an accident. Okay - I apologise for my sarcastic tone (lowest form of wit, yada yada, yada), but the tone they have adopted encourages the continued subordination of children's literature to adult literature. This is the common consensus. And if it is never challenged it will never change. Children's books can be transformative for both child readers and adult readers.
So for my competition, to win a copy of one of my books (your choice of any of my books except Clever Moo which are now like hen's teeth or any short story anthologies I am included in as I don't have copies of these), tell me the name of a children's book that changed you (you can comment here or on facebook or Goodreads). I will pick my favourite - judges decision is final and no correspondence will be entered into. One winner only - competition closes this Sunday 19th at 8pm. Examples for me would be The Earthsea Trilogy, The Outsiders, The Little Prince, The Changeover, The Lion in the Meadow, Where the Wild Things Are (...'and it was still hot'), to name a few... So get cracking!!
Recently I passed my 700th post (I think this is post 702). I fancy having another competition. More on that later.
Meantime I am working on a few other more imminent things - principally an exhibit about my book While You Are Sleeping for the What Lies Beneath Exhibition at the National Library in Parnell, Auckland starting next Monday January 20th.
And thinking, always, about how I can raise the reputation of children's literature. Folk sometimes recognize the importance of children's books and probably do understand the value in switching children on to being readers. But there is a persistent refusal to believe that a children's book might be literary, like an adult book can be literary. That it might be clever, challenging, thought provoking and capable of making you a better person. This article has been doing the rounds on facebook. It is interesting. I have read a few of the books. I'm not sure they all changed me. I have read other books not on the list that 'have' changed me. But that's always the way with lists. I never agree with everything included, or not included - they are subjective entities. That's okay. But this isn't okay. The one children's book on the list of 50 life changing books is introduced by way of an apology. Sorry for including a children's book. I hope it doesn't offend you reader. Ya know its a children's book, but it somehow actually manages to still have a message that might be of interest/be beneficial to an adult. Maybe it was an accident. Okay - I apologise for my sarcastic tone (lowest form of wit, yada yada, yada), but the tone they have adopted encourages the continued subordination of children's literature to adult literature. This is the common consensus. And if it is never challenged it will never change. Children's books can be transformative for both child readers and adult readers.
So for my competition, to win a copy of one of my books (your choice of any of my books except Clever Moo which are now like hen's teeth or any short story anthologies I am included in as I don't have copies of these), tell me the name of a children's book that changed you (you can comment here or on facebook or Goodreads). I will pick my favourite - judges decision is final and no correspondence will be entered into. One winner only - competition closes this Sunday 19th at 8pm. Examples for me would be The Earthsea Trilogy, The Outsiders, The Little Prince, The Changeover, The Lion in the Meadow, Where the Wild Things Are (...'and it was still hot'), to name a few... So get cracking!!
Wednesday, November 27, 2013
No relation...
It would not be an overstatement, I think, to say that this year has been somewhat busy. Now that I have handed in my final assignment, launched my latest book While You Are Sleeping (with a purpose built cake of course)
and agreed with the editor on some last text changes for next year's picture book I have been kicking back just a little (here lunching with some terrific writery pals - Maria Gill, Victoria Azaro, Elena de Roo and with Jane Bloomfield behind the camera).
Somehow this year, while Christmas is on the same date in the same week that it always is, I can't help feeling that everyone has already started their end of year wind down. And that includes me. It seems oddly early and normally this would worry me as I don't like the usual wind down timings and struggle with not having the access to people, businesses and processes that I enjoy having the rest of the year (although I am sure they need their rest from me :) But I feel like I have sucked the marrow out of 2013. On the whole it has been a good year. I am content to wind down with the rest of the world and potter away at my current projects. What has happened to me??? Maybe I am growing up. I hope not.
I am trying to be a bit more zen about things anyways. Being on social media brings people in regular contact with a whole raft of problems, crises and issues and makes the world seem as if it is in a permanent state of exploding, imploding or falling apart. I often feel angry or wound up about all the injustices and while the concerns are important and taking action is worthwhile, existing in a constant state of feeling over-wound can't be healthy. So I'm trying to pick my battles, think of proactive things I can do to contribute to positive change and trying to throw off the associated stress. A current frustration is the lack of respect shown to children's literature within the local literary scene. I have lamented in the past that children's literature seems like the poor relation of adult fiction in New Zealand. Sometimes I think maybe I'm overstating things, or being too sensitive. My mistake. Apparently it is no relation at all. All too often anecdotal evidence demonstrates that I am not nearly sensitive enough. Our children's literary community is very strong in New Zealand. Children's fiction publications in New Zealand would surely outnumber adult fiction every year (adult/general non fiction I suspect would dominate all other categories). We are producing quality material. Folk might say our persistent inability to sell overseas is indicative of not quite making the mark in comparison to foreign books. But if you consider that the business end of publishing and distribution often wants to see the success of a title before taking it on elsewhere and we can never hope to demonstrate the desirable kinds of numbers in a population of 4 and a half million people or interest from a sophisticated yet still too small television or film industry, do we face impossible odds? And while our wines, our indigenous culture, our take on fashion and hobbits seem desirably exotic, this surprisingly does not extend to our children's literature. And when opportunities for introducing our work to a bigger market arise, despite the relative size of our children's writing community and that the resulting publications are a significant proportion of all annual publications here, we continue to be grossly under-represented at international events. We don't get seen at these events, or feted, or promoted. No wonder the rest of the world is unaware of us. Folk are generally unaware of us here. I know some sectors are very good at knowing us and supporting us but other sectors, who might also make a significant long term difference for us, don't share this approach. I do not want to just be grumpy about this. I like to think there might be a solution to this problem. Maybe the summer hiatus will provide me with some good thinking time.
and agreed with the editor on some last text changes for next year's picture book I have been kicking back just a little (here lunching with some terrific writery pals - Maria Gill, Victoria Azaro, Elena de Roo and with Jane Bloomfield behind the camera).
Somehow this year, while Christmas is on the same date in the same week that it always is, I can't help feeling that everyone has already started their end of year wind down. And that includes me. It seems oddly early and normally this would worry me as I don't like the usual wind down timings and struggle with not having the access to people, businesses and processes that I enjoy having the rest of the year (although I am sure they need their rest from me :) But I feel like I have sucked the marrow out of 2013. On the whole it has been a good year. I am content to wind down with the rest of the world and potter away at my current projects. What has happened to me??? Maybe I am growing up. I hope not.
I am trying to be a bit more zen about things anyways. Being on social media brings people in regular contact with a whole raft of problems, crises and issues and makes the world seem as if it is in a permanent state of exploding, imploding or falling apart. I often feel angry or wound up about all the injustices and while the concerns are important and taking action is worthwhile, existing in a constant state of feeling over-wound can't be healthy. So I'm trying to pick my battles, think of proactive things I can do to contribute to positive change and trying to throw off the associated stress. A current frustration is the lack of respect shown to children's literature within the local literary scene. I have lamented in the past that children's literature seems like the poor relation of adult fiction in New Zealand. Sometimes I think maybe I'm overstating things, or being too sensitive. My mistake. Apparently it is no relation at all. All too often anecdotal evidence demonstrates that I am not nearly sensitive enough. Our children's literary community is very strong in New Zealand. Children's fiction publications in New Zealand would surely outnumber adult fiction every year (adult/general non fiction I suspect would dominate all other categories). We are producing quality material. Folk might say our persistent inability to sell overseas is indicative of not quite making the mark in comparison to foreign books. But if you consider that the business end of publishing and distribution often wants to see the success of a title before taking it on elsewhere and we can never hope to demonstrate the desirable kinds of numbers in a population of 4 and a half million people or interest from a sophisticated yet still too small television or film industry, do we face impossible odds? And while our wines, our indigenous culture, our take on fashion and hobbits seem desirably exotic, this surprisingly does not extend to our children's literature. And when opportunities for introducing our work to a bigger market arise, despite the relative size of our children's writing community and that the resulting publications are a significant proportion of all annual publications here, we continue to be grossly under-represented at international events. We don't get seen at these events, or feted, or promoted. No wonder the rest of the world is unaware of us. Folk are generally unaware of us here. I know some sectors are very good at knowing us and supporting us but other sectors, who might also make a significant long term difference for us, don't share this approach. I do not want to just be grumpy about this. I like to think there might be a solution to this problem. Maybe the summer hiatus will provide me with some good thinking time.
Saturday, October 19, 2013
Off to do a little sprunting...
well, that was fun! As far as I am concerned, words are an endless source of goodness and entertainment. Thank you to everyone who entered for providing me with some delicious, odd and infrequently used words that I will treasure forever. But there can be only one, and (drum roll please) the winner of a copy of my new book While You Are Sleeping is Stephanie Thatcher who wooed me with nomophobia ( the fear of being out of mobile phone contact) and then clinched the deal with this link to ten outstanding-in-the-field words of dusty and obscure origin, limited meaning and fantastic roll around in your mouth fun-to-sayness. 'Uhtceare' especially seems to have been made for me. And I am now desperate to find a way to use sprunt and groke in a story although I should have no trouble with ultracrepidarianism, as this happens so often I'm surprised it isn't in current use. Congratulations Stephanie - email me with your address and whether you want a softback or hardback.
And special congratulations to New Zealander Eleanor Catton; fabulous, smart and youthful winner of this year's Man Booker Prize for her novel The Luminaries. That has to look pretty bloody amazing on the old writing CV. And it makes a nice change to have a writer getting this much press in the NZ media. It almost makes up for the lack of a book page yet again in the Sunday Herald. I am always surprised at how little is known (and how little interest is shown by the wider community) about books and authors outside my writery circles. At times I think, well it's a fringe topic that most people don't give attention to, and then I realise how much I know about a wide range of fringe topics or even just the interests of other people that aren't my own interests, and then I think dammit, books aren't a fringe topic, they are the gateway to a healthy, educated, empathetic and caring society. And then I get grumpy. I think Neil Gaiman was feeling a little grumpy too when he spoke so elegantly and eloquently on the topic of why our futures depend on libraries and reading. We shouldn't have to work so hard to encourage folk to pick up a book or two or discuss them in an everyday fashion. Books matter people.
And special congratulations to New Zealander Eleanor Catton; fabulous, smart and youthful winner of this year's Man Booker Prize for her novel The Luminaries. That has to look pretty bloody amazing on the old writing CV. And it makes a nice change to have a writer getting this much press in the NZ media. It almost makes up for the lack of a book page yet again in the Sunday Herald. I am always surprised at how little is known (and how little interest is shown by the wider community) about books and authors outside my writery circles. At times I think, well it's a fringe topic that most people don't give attention to, and then I realise how much I know about a wide range of fringe topics or even just the interests of other people that aren't my own interests, and then I think dammit, books aren't a fringe topic, they are the gateway to a healthy, educated, empathetic and caring society. And then I get grumpy. I think Neil Gaiman was feeling a little grumpy too when he spoke so elegantly and eloquently on the topic of why our futures depend on libraries and reading. We shouldn't have to work so hard to encourage folk to pick up a book or two or discuss them in an everyday fashion. Books matter people.
Sunday, October 13, 2013
Win a copy of While You Are Sleeping...
Time for a book give-away methinks. My new picture book While You Are Sleeping is out this month. I am having a wee launch next month to wet the baby's head (so to speak) but as this is the actual birth month a give-away seems like a good way to kick things off. If you want to know more about the book here is the front cover
here is the back cover
here is some information on the wonderful illustrator Greg Straight. And here are some more reviews to give you an idea of what it's all about. From KidsBooksNZ and Around the Bookshops.
To win a copy
I recently came across a word I had never ever heard or read before - ratiocinative. A few years before that the word gallimaufrey caught me by surprise. Especially when I came across it twice in the space of about twelve hours in unrelated sources. To win a copy of the book (your choice of hardback or soft) post your favourite obscure word in the comments and the winner will be the one I like the best. Competition closes Friday 5pm - relatives of the author, illustrator and publisher may not enter. No correspondence will be entered into. Judges decision is final cos she's in charge.
Saturday, August 24, 2013
This one's for you....
Sorry I have been a bit slack folks. No excuses either.
First things first - for any UK followers my book A Winter's Day in 1939 is now available as an e-book on Amazon UK. Yay!!!
Second - the clock is ticking down to the release of my next picture book 'While You Are Sleeping' illustrated by the very talented Greg Straight and published by Duck Creek Press. The book is released on October 1st and I will post details for the launch soon. This is a bedtime book to share with young children, with fun illustrations full of gorgeous details complimented by spare poetic text. I am really looking forward to holding this in my hands and being able to share it.
And third - I want to do a big shout out to the very cool crowd of children from Viscount School in South Auckland who performed my story The House That Went to Sea (Duck Creek Press, 2011) at the Auckland Storylines Family Day last Sunday. What a talented bunch of kids. I was completely blown away by the cleverness of the production, the cool special effects, the mermaid song (this mermaids on water, to the tune of 'This girl is on fire'), the pirate battle, the costumes, the sound effects (big ups to the violinist shark!) and of course the acting - I was dead impressed. If I can wrangle a recording of the show I will try loading it up here.
And the family day was terrific. I love being a part of this celebration of children's books. And it's great to have the opportunity to connect with young readers and their very cool and supportive parents. Thank you too to my most marvelous minder, and fellow writer, Katie Furze who was excellent company for the day and a terrific minder.
But the family day has also always been an opportunity to catch up with old writer and illustrator friends and make new ones. This year I met Rachel Spratt, creator of the Nanny Piggins books, Stacy Gregg, author of numerous Pony Club books, Greet Pauwelijn, publisher (Book Island) and Isaac Drought, winner of last year's Joy Cowley Award who was launching his winning picture book Alphabet Squabble. Every author and illustrator I meet makes me feel even more convinced that (despite the crazy and difficult elements ) I was picked by the right career. Every author and illustrator I meet helps me paint a more comprehensive picture of the book world. I would not be where I am now without the advice, the information and the support and encouragement I have received over the years from this fantastic community. Even yesterday after lamenting my writerly laziness to a writer friend, she said just the right thing and helped me put my situation in perspective. If I was allowed to only ever give one piece of advice to help another writer reach for their dreams I would tell them to become a part of the writers community. It is the best way to learn what you need to know. It is the best way to hear about new opportunities when new opportunities seem thin on the ground. It is the best way to keep your head above water when drowning seems like a real possibility. And I'm not talking about just a critique group here (although joining one of these can be enormously helpful too) - you need to be talking to authors and illustrators at all stages of their careers; people much published, gaining momentum, starting out, and unpublished. You only get the full picture if you see it from all angles. If you only hang out with other folk at the same stage as you are, you may remain unaware of the dangers and the pitfalls, and be ignorant of the possibilities and proactive things you can be doing to propel yourself forward. I love having peers who understand where I'm at, icons to look up to and learn from and new folk who I can share information with. We are a very nice bunch.
And last but not least today I want to say a heartfelt thank you to the people who support us. Being an author and/or illustrator has always been a tricky profession. We are at the mercy of our rejections and acceptances, over our success and failures and the complex machinations that drive our careers. Most of us don't earn a living wage and our contribution to the family coffers is often token at best. So to all the husbands, wives, partners, girlfriends, boyfriends, parents and families...for the financial and emotional support; your continued belief in us and your encouragement THANK YOU - we couldn't do it without you.
First things first - for any UK followers my book A Winter's Day in 1939 is now available as an e-book on Amazon UK. Yay!!!
Second - the clock is ticking down to the release of my next picture book 'While You Are Sleeping' illustrated by the very talented Greg Straight and published by Duck Creek Press. The book is released on October 1st and I will post details for the launch soon. This is a bedtime book to share with young children, with fun illustrations full of gorgeous details complimented by spare poetic text. I am really looking forward to holding this in my hands and being able to share it.
And third - I want to do a big shout out to the very cool crowd of children from Viscount School in South Auckland who performed my story The House That Went to Sea (Duck Creek Press, 2011) at the Auckland Storylines Family Day last Sunday. What a talented bunch of kids. I was completely blown away by the cleverness of the production, the cool special effects, the mermaid song (this mermaids on water, to the tune of 'This girl is on fire'), the pirate battle, the costumes, the sound effects (big ups to the violinist shark!) and of course the acting - I was dead impressed. If I can wrangle a recording of the show I will try loading it up here.
And the family day was terrific. I love being a part of this celebration of children's books. And it's great to have the opportunity to connect with young readers and their very cool and supportive parents. Thank you too to my most marvelous minder, and fellow writer, Katie Furze who was excellent company for the day and a terrific minder.
But the family day has also always been an opportunity to catch up with old writer and illustrator friends and make new ones. This year I met Rachel Spratt, creator of the Nanny Piggins books, Stacy Gregg, author of numerous Pony Club books, Greet Pauwelijn, publisher (Book Island) and Isaac Drought, winner of last year's Joy Cowley Award who was launching his winning picture book Alphabet Squabble. Every author and illustrator I meet makes me feel even more convinced that (despite the crazy and difficult elements ) I was picked by the right career. Every author and illustrator I meet helps me paint a more comprehensive picture of the book world. I would not be where I am now without the advice, the information and the support and encouragement I have received over the years from this fantastic community. Even yesterday after lamenting my writerly laziness to a writer friend, she said just the right thing and helped me put my situation in perspective. If I was allowed to only ever give one piece of advice to help another writer reach for their dreams I would tell them to become a part of the writers community. It is the best way to learn what you need to know. It is the best way to hear about new opportunities when new opportunities seem thin on the ground. It is the best way to keep your head above water when drowning seems like a real possibility. And I'm not talking about just a critique group here (although joining one of these can be enormously helpful too) - you need to be talking to authors and illustrators at all stages of their careers; people much published, gaining momentum, starting out, and unpublished. You only get the full picture if you see it from all angles. If you only hang out with other folk at the same stage as you are, you may remain unaware of the dangers and the pitfalls, and be ignorant of the possibilities and proactive things you can be doing to propel yourself forward. I love having peers who understand where I'm at, icons to look up to and learn from and new folk who I can share information with. We are a very nice bunch.
And last but not least today I want to say a heartfelt thank you to the people who support us. Being an author and/or illustrator has always been a tricky profession. We are at the mercy of our rejections and acceptances, over our success and failures and the complex machinations that drive our careers. Most of us don't earn a living wage and our contribution to the family coffers is often token at best. So to all the husbands, wives, partners, girlfriends, boyfriends, parents and families...for the financial and emotional support; your continued belief in us and your encouragement THANK YOU - we couldn't do it without you.
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