The pattern is that there is no pattern ...

 So, for several reasons there was no public launch this time round for Moon and Sun, and honestly, it is a mixed blessing. Launches can be stressful things that are hard to land with the desired results. But watching your book arrive with no wine-glass-clinking, cake-eating celebration is equally daunting. Will anyone notice it has arrived?? As with all my paper babies, I am so proud of this story. It says and does some good and surprising things. And Malene Laugesen's illustrations elevate the story, magnifying and building on the emotion and detail of the text in a beautiful way. Truth is, a launch is only ever a small part of a book's debut. Plenty of work has been happening behind the curtains (thanks to the team at Upstart Press) to support Moon and Sun's arrival. Copies have been going out and about and some early reviews have been really lovely - thank you to Desna Wallace at BookTrailers4KidsandYA, NZ Booklovers, and KiwiReviews. I'm also being interviewed about the book for radio later in the week, and there is a chance to win a copy of the book in the Kids Club section of the current NZ TV Guide (20 - 26 Feb). And I finally get to wear the t-shirt with artwork by my eldest, which is a perfect fit for the book.

Welcome to the world Moon and Sun - I'm so happy you are here :-) 

And I have to say this book, a gentle, secretly science-y tale, is so different to the last thing I had published (the darkly funny and mischievous Sharing with Wolf). I am a technicolour dreamcoat, a collection, a museum of many things. I do worry that I am a bit unpredictable and that fans might want some reliable patterns to hold on to as they take a wild ride through my books. The only patterns you'll find are a distinct love of language, a desire for rhythm, and a guarantee that there will be layers of meaning, peelable and yet also intersecting. My next two picture books, My Elephant is Blue (illustrated by Vasanti Unka and coming out in May with Penguin, dealing with heavy feelings) and Batkiwi (illustrated by Izzy Joy Te Aho White and published in July by Scholastic, about being a hero) are also different. Perhaps the pattern is that there is no pattern. 

It would be lovely to talk about this. I sometimes envy adult writers chatting about their latest book with a wise and well read interviewer on a stage at a Writers Festival. This doesn't really happen to picture book writers. I've seen picture book and junior fiction writers interviewed on stage, or giving a talk, but these events are pitched at young readers who usually make up at least half the audience (and many of the rest are their guardians and minders and keepers). But like a writer of adult fiction, I too have ideas and influences and writing craft that are grown up things. Lots of writers for children do. And I am always sad that picture books are only ever seen as childish things. We don't talk enough about children's books outside our children's books circles. I think this needs to change - for the benefit of our children. 

Win a copy of Moon and Sun ...

 A Competition!!! My author copies of Moon and Sun (illustrated beautifully by Malene Laugesen and published by Upstart Press) have arrived and I am so pleased! The book is out February 11 and to celebrate it's imminent arrival I am giving away a copy. Tell me what your favourite science fiction movie (kids or adults) is, and why. I'll pick my favourite answer to receive the book. You can give your answer here on the blog, or in response to this blog post shared on twitter, instagram or facebook. One entry each only. Competition closes January 31st. 

And to kick the year off I thought I'd address one of the topics I'd suggested at the end of last year. So today I'm going to talk about ...

What your plot cannot live without. Not all picture books have to have a plot. Some are concept books that look at the world around us, or important issues or ideas, and a plot isn't always necessary for these. The following list isn't exhaustive and may be added to over time. And if you think there is something I need to include, let me know :-)  

So a plot needs...

1) A story that is from a child's point of view, or is of interest to children. Something I have noticed is writers assuming an adult's view of children will be of interest to children and I don't think that's true. An adults view of children (or grandchildren or other topics) is of interest to other adults. So what is of interest to young people? The list is actually pretty long but includes friendship, confidence, fear, fear of the dark, being lost, being lonely, being different, difference in others, a new sibling, loss of a loved one, learning to be adventurous, being brave, sharing, sibling relationships, blended families, new experiences, firsts (as in going to kindergarten, school, to the doctor, to the hospital, on a plane etc...for the first time), traditions, family, worry, sadness, immigration, facing challenges, and there are a whole lot more. But you do always need to consider whether the approach you've taken works for a child reader.

2) A purpose. What are the characters doing in the story and why? What is their goal and what stands in the way of them achieving it? I have read some lively, fun, cleverly worded picture book texts where there was no actual point to the story, and the bottom line is, this will be a hard sell to a publisher. A collection of events is not a plot.

3) A resolution or revelation. How have the issues presented been resolved, the goal been achieved or what has the character discovered on their journey. A summary is not a resolution. 

4) A change in the main character (s). What do they know or understand now that they didn't know or understand at the beginning of the book? Is it relatable for a young reader? 

5) Satisfaction. Is the plot enjoyable? Does it feel 'right'? Would a child want to hear the story again? Is the story durable? Is it timeless? Can it be enjoyed by different ages? The more of these boxes you tick the better your story will be.

Pick up any good picture book and ask yourself what is this story really about? What is the topic at the heart of the story and how does the plot explore that topic? How many layers are there? What sort of things might a child take away from reading this book? In Moon and Sun the story centres on the sibling relationship between the Moon and the Sun. There is misunderstanding and jealousy and loneliness. But the text also touches on the Moon's impact on Earth. The Moon's gravity is important to tides and crops, our concept of a calendar was initially based on the lunar cycle, and the orbits of the Earth and Moon allow the story's resolution. And humanity has been inspired by the Moon for centuries in art and music and literature. A child will be able to explore these scientific and artistic concepts for themselves. 

The 4.45pm news from the desk of Melinda Szymanik ...

Yay!!! Finally an occasion when judginess is desirable accompanied by glorious access to a mountain of the best local kidlit. Yes folks, it's time to put your hat in the ring to be a judge for the 2021 NZ Book Awards for Children & Young Adults. The call has gone out and applications close 5pm Friday 30 October. You can check out the application details HERE.

It's been a busy old time over the last fortnight, what with giving a workshop on writing children's picture books to an adult audience at Selwyn Community Education and then running a week long creative writing camp for children on the north shore. It was especially challenging last Tuesday when the harbour bridge was closed due to high winds (first time ever in the history of the bridge!!) and my 30 minute drive turned into a two hour long one as all the bridge commuters joined me on my usual route. I was super lucky that my teacher sister had agreed to help out for the day as I ended up being late and she stepped in and got the class started - thanks Halina, you were a life saver. And I have discovered that driving long distances in first gear is very boring. Oh for some audio books stashed in the car - I will have to invest in some.

There are just a few events I am involved in over the rest of this month and what remains of the year is looking pretty quiet. I have a few writing projects I am noodling away on, and I have some planning to do for next year. This all feels rather nice. Despite the fact that covid has put paid to around half the gigs I had lined up for 2020, working from home is my ultimate happy place as I get to focus on my core practice - writing new books.

Last week I had an email from the publisher with final proofs for one of the picture books coming out next year. Its heading off to the printers and I am thrilled with how it all looks. It is gorgeous. Here is the front cover art by illustrator Malene Laugesen.

It is called Moon and Sun, and is due to be released by Upstart Press in March 2021. I can't wait to have it in my hands and show you how wonderful it looks inside. There have been a few delays with this title, partly covid based, and I am so happy it is now on its way.

Finally I hope you are all busy polishing your manuscripts for the Storylines manuscript awards - Joy Cowley for picture books, and the Tom Fitzgibbon for junior fiction - submissions close October 31st. The Tessa Duder Award for YA fiction is biennial and will be open to submissions next year. With Scholastic currently closed to regular submissions, don't miss this great opportunity to have your story read by them. Good luck peoples!!