Excuse me while I do the limbo...

This year is a year without a book. I have a small project which will be out in print next month and I have been writing, mostly on the novel which I began while at the Pah Homestead, but this has been a fallow year. Sitting on the sideline watching the book world move forward without me. Excuse me while I do the limbo.

After the hurly burly of the last few years this feels strange. But I am no stranger to strange. Much of the first half of the year was spent at the Pah Homestead. Several months ago my focus was on preparation for our big overseas trip and then we embarked on the trip itself, which was awesome and monumental, both literally and figuratively. And then we returned and the remainder of the year fell into a kind of limbo with few fixed dates. The most excellent NZ Book Week (in the last week of October) and the wonderful and full of warm fuzzies NZ Bookshop day (on Halloween!!) was a most welcome departure from this. Huge thanks to the NZSA for rescuing this incredibly important event, and to the two bookshops (Time Out Bookstore in Mt Eden and the Dorothy Butler Children's Bookshop in Ponsonby) who invited me along on the 31st to share in their celebrations. It was a day of mutual love and respect between booksellers, writers and illustrators, and readers, and every one felt very wanted by the end of the day. I have everything crossed and knotted that this becomes an annual arrangement.

But the rest of the time... well ... I'm mostly still in limbo. It feels like being in one of those flotation chambers where you have no choice but to be introspective. I've been navel gazing and reading posts and articles on the social media platforms I'm signed up to which can be a very dangerous occupation. And trying to fathom twitter which is a deep well of weirdness. Whether Essena O'Neill's reasons for quitting social media were honest or not she's right about sites like facebook, twitter and tumblr being a heavily filtered version of reality. Even if photos and comments are raw and genuine, folk still curate their images and words carefully to show the side of themselves they are willing to reveal. And people have agendas. Twitter, while it still feels like learning a foreign language, is a perfect example of an agenda driven medium. All sorts of strangers have started following me and I know it's not because of my phenomenal wit and stunning beauty (ahem - cough) as clearly neither of these are on display on the platform (cough, cough). For some, it's because they hope to sell me something at some point, whether it's their services or their books. I am allergic to direct selling, preferring to find my books by way of good writing and discovering an author is really cool and has interesting things to say, which seems to be a novel way of doing things these days. And I always (where possible) try and buy my required services locally. And yet twitter  is so interesting. Social media has multiple means of luring you in and turning you into an internet zombie ... anyways, as always, I have digressed.  

So, while I wander the labyrinth of social media like a modern day  Ulysses without a ball of string wondering whether I mind being lost or not, 2016 looms... looking mostly like a blank canvas. The thought of a new year is always a mixture of dread and giddy anticipation. So many possibilities, so much free time.

I do have a picture book scheduled for release next June. Yay!! Fuzzy Doodle. Illustrated by the marvelous Donovan Bixley and published by Scholastic. I don't have any pics to share yet and I am feeling a little coy about revealing any part of the story. Soz. But soon folks ... soon you can have a wee peek...

So, one key event for 2016, and the rest has still been feeling like a yawning chasm of nothing. An emptiness...

I booked a few things to give myself the illusion of busy and/ or important. Tickets for my SO and I to see The Tempest at the Pop Up Globe Theatre in March. And a follow up specialist's appointment in October. Woohoo! But after the schedules of the last few years things were still looking a leedle bit barren. Don't worry, my SO said, things will crop up. That's pretty much always been my philosophy too. Stay connected and involved. Keep writing - cos that's what I like to do. And have faith that things will arrive to pepper the calendar with busy and/or important. And fun!

And you know what? It's already started happening...

Mental garage sale...

From time to time we clear out old and unused things from our cupboards, wardrobes and drawers, have a bit of a de-clutter and make some space for new things. I would like to know how I can do this for my brain. I attended the Golden Yarns Conference over last weekend - a conference for Children's Writers and Illustrators organised by the dedicated and amazing Te Tai Tamariki Trust with support from a variety of other groups such as The Children's Bookshop, Storylines and Kiwiwrite4kidz. So much new information has been jammed into my mind that I am having a spot of bother organising it all and tidying it in to sensible piles and useful places. Suffice it to say it was an excellent weekend with plenty of discussion, great catch-ups with fellow kid-litters and some good advice that I know I will find very useful once I stop being confused. A lack of sleep is not conducive. But the chance to see authors and illustrators from other parts of our geographically spread out small country was for me one of the biggest rewards.

What did I learn?
1) Coffee is essential. Instant does not cut it.
2) I can survive without chocolate
3) Christchurch was not as cold as I expected
4) Children's writers and illustrators are very (very, very) funny
5) The NZSA are hard working advocates for us and are keen to hear from us about our concerns and issues
6) The creativity of others never ceases to amaze and inspire me
7) You have to take responsibility for keeping yourself informed and up to date
8) It is possible to feel positive about the publishing environment in the current climate

I will provide more details on what went down when my mind has had a chance to file a few things in the right places

I also want to do a shout out to the most fabulous Selwyn House and St Andrews College Prep. schools in Christchurch for their most warm welcomes and attentive, switched on children. I thoroughly enjoyed my visits to these schools.

Number One Rule for New Authors...

I read a sad tale this morning of a prospective author scammed by an unscrupulous person posing as an illustrator. I am appalled that predatory scum-bags like this are out there preying on decent people. Shame on you. All we can do is arm ourselves with information, be vigilant and look out for each other. Trouble is when you are first starting out you don't know what you don't know. And you don't know who to ask or what, exactly, you should be asking about. One of my favourite bits of advise for aspiring writers is to join organisations like the NZSA, Storylines and Kiwiwrite4kidz, and make friends with other authors and illustrators. Because they are the people collectively who know. One of the first things I did when I made the decision to follow through on my crazy dream of being an author was join Storylines. And since those early days I have joined other groups and met a lot of authors and illustrators. If I have questions or uncertainties I ask these people. If they don't know they suggest people who might. I also spend a lot of time searching out information on the internet but I know where to look because I have spent a lot of time looking. There are ways to determine reputations. Ask around. Look after yourselves people. Of course the other problem now is that I may have experience and information at my fingertips but I don't always know what I know. I mean 'I know it' but I don't realise that it's information other people might not have. This is one of the key benefits of belonging to a community of authors and illustrators: you pick up a lot just by hanging out. We are communicative, word people. You cannot find a better source of information. Please, PLEASE don't let shyness stop you. Children's writers and illustrators in particular are the most down to earth, lovely, generous people you might ever meet. None of them (as far as I am aware) bite. We like helping each other. Come and join us :)

Shorts

• I recently had a lovely review of my YA thriller The Half Life of Ryan Davis from a very talented young teen which you can see here. 
• I have solved my title dilemma and am now working on my intermediate mystery cover. I will hopefully be able to reveal more soon. 
• Here is a great run-down on the importance and definition of what the premise of your book is, from blogger Stroppy Author. If you have this clear in your mind when you are writing your task will be easier. Go read it. Go on. 

Playing tag...

I was tagged here by fab fellow NZ author Phillip W. Simpson and I'm playing

What's the working Title of your WIP?
Barquing Mad: A Mystery
I really like this title but worry that people will think its about a dog and its not. I probably will have to change it but I think the words 'A Mystery' imply you can't take the first few words at face value

Where did your idea come from for your book?
I started this book so long ago I don't remember. I do remember submitting the first few thousand words to the NZSA for this brilliant open critique session they held at Old Government House in Auckland in 2004 and Graeme Lay and Tania Roxborogh critiqued it and were very positive and encouraging and said nice things to me. I think the biggest criticism was the stupid character names I had (they didn't use the word stupid - they were really very nice) and the names are now all different. The bully was called Mimsy Squat-Cottles (I blame famous NZ actor Michael Hurst who once said this name and got it stuck in my brain) and Prunella. I still like Mimsy Squat-Cottles but she is now Vanessa Blunt which is a little easier to read and a tad more modern and Prunella became Sally.

And this is what I ended up with:

What really happened to Sally's Dad lost at sea 7 years before? What were they really up to on that mysterious polar expedition? And why has her Mum suddenly chucked in her job? Why won't her teacher and the school principal and the school bully leave her alone? Sally needs her wits, her courage, her best friend, her best friends chauffer and even her brother's help to overcome the dangers and discover the truth.

What genre does your book fall under?
Children's mystery

What actors would you pick to play your characters in a movie rendition?
They probably haven't been born yet :) although Dakota Fanning would have been perfect for the 12 year old heroine Sally Barque when she was younger. I'd be played by Martin Freeman.

What is a one sentence synopsis of your book?
Sometimes parents get lost and it's up to their children to find them.

How long did it take you to write a first draft of your manuscript?
I think this one has been on the slow burner for about ten years. I finished it early last year but it wasn't quite right. Nearly done with the final draft and believe it actually makes sense now.

What other books would you compare this story to within the genre?
It's a cross between Famous Five and Stormbreaker

Who or what inspired you to write this book?
Sheer tenacity. It was just one of those stories that I kept coming back to. I could see, inside the hot mess, a fun story that I wanted to tell, desperately trying to get free (probably from the shackles of all those commas).

What else about the book might pique the readers interest?
I really think its just the most unexpected little tale. Its got some girl power going on.

In the spirit of this game I am tagging five more fabulous NZ authors to have a play

Tania Roxborogh

Tania Hutley

Maureen Crisp

Sue Copsey

Fifi Colston

Your chances are as good as ever...

In response to my last post, Kath lamented that getting published in NZ today as a newcomer seems impossible. What are the chances?

From where I sit Kath I have to say the chances seem as good as ever. Chances were never good, but newcomers still do get published every year. In the wake of the recession, publishing lists were cut and several boutique publishers (Mallinson Rendel, Longacre) were absorbed by a couple of the big international publishing names (Penguin and Random respectively). Publishers across the board were tightening purse strings and Scholastic NZ, the biggest children's-only publisher here closed to unsolicited submissions, an uncommon position in this country. And it certainly may appear that the same names are turning up on the covers of the books in the bookshops.

However if you know your local authors well you can spot the new ones too. Anna Gowan and Leonie Agnew are new faces in the junior novel area. Juliette MacIver is new in picture books as is Chris Gurney and Belynda Smith. I'm sure there are others that have slipped my mind.

Several avenues exist for new writers such as the Storylines Tom Fitzgibbon and Tessa Duder Awards for junior and YA fiction. You cannot enter for these awards if you are previously published. While the Joy Cowley Award for a picture book is open to the previously published, this is how many new writers are noticed by Scholastic who participate in judging the entries and publish the winners of the Joy Cowley and Tom Fitzgibbon (Harper Collins publish the winner of the Tessa Duder Award). Scholastic have published the books of other finalists as well. I was twice a finalist in the Joy Cowley Award and while this didn't result directly in publication of my entries at the time, it was a huge boost for me as a writer and resulted in some fantastic feedback which has seen both stories being published more recently. Entries close on October 31st for these Awards every year.

And we now have new boutique publishers springing up. David Ling's Duck Creek Press  has taken on a new picture book writer and new illustrators in the last few years and Pear Jam Books, just launched by author Jill Marshall, is publishing 14 titles this year of which 5 are by previously unpublished authors and another couple are by newish authors.

I got my break with Learning Media and Australia's School Journal who first published several short stories I had written during a Writing for Children paper I did at Massey University as part of my English Degree. One of the most important things I did to help myself along was join several writer's organisations (Storylines, NZSA, Kiwiwrite4kidz) which introduced me to other people experiencing the same difficulties and challenges that I was on my quest for publication. We share triumphs, disappointments and tales of survival. We also share tips and information that make our journey easier.

So don't despair. A blog I follow in the UK by the much published author Nicola Morgan recently featured a post in which she spoke about her twenty year journey to publication. She was first published well before the global recession but it still took her twenty years to reach that first contract. It is very tough to get published. Sometimes it takes a while to find your niche, your voice, your style. Sometimes it takes a while to find the right story for the right time - the one that starts you off. If you are serious about being published as a children's author then you have to hang in there. Keep writing. Take heart. Join with the rest of us and we can hang in there together.