Sigh - oh, look, somebody is complaining about YA literature again. How original...and refreshing...and, OFGS.
If we talked more about children's and young adults literature in the wider media maybe people would have a better understanding of it and we could spend less time having to defend it. Sigh. This article argues for greater media coverage on behalf of Australian literature but we need to be doing this in New Zealand too. If media attention was apportioned according to market share, children's and YA literature would be featuring a lot more than it does now. And as Danielle Binks says, the YA and Children's lit crowd are having way more interesting and complex discussions while the adult critics bang on about their cringe over adults reading YA. Our envelope is being pushed, the boundaries challenged and the bar raised, while their record appears broken...
Sure, there are some children's and YA books that are not well written, are formulaic and break no new ground either thematically or in literary terms. But there are many that are and do. Can we please discuss each book on its merits and accept that the term children's or Young Adult does not make a book some inferior entity? No category of book is automatically inferior or superior. New Zealand SFF author Helen Lowe argues the point well on her blog here. The divisiveness harms all of us. Folk need to grow up and talk about each book on the quality of its content, including Children's and YA.
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Showing posts with label Helen Lowe. Show all posts
Showing posts with label Helen Lowe. Show all posts
Tuesday, September 30, 2014
Tuesday, October 30, 2012
Don't be a slave ... the sandals are so uncomfortable
I sometimes mostly always think the general public have the wrong idea about what it means to be a published author in New Zealand. I guess that isn't so surprising. Only big successes get reported in the media here. Or articles talk about what is happening to overseas writers, where an advance for a first novel in the US is likely to be in the 5,000 to 10,000 dollar range (sometimes much more, although it can also be zero) and an american debut author can be whisked off to London on an author tour and be interviewed by the press. Its all so exciting. We don't generally get whisked off so perhaps we seem less real to the media and the public. I think the general rule is you need to be something to be aspired to, or warned away from, to get media coverage. I just don't want the public to have the wrong idea. Our population here means everything is on a much smaller scale. Print runs are smaller, advances are smaller, and getting whisked away might mean a trip to the publisher's offices or a local cafe. I am not complaining. I want to live here and things are smaller here and that naturally will have implications, but I just want folks to know that its not a flash, rolling in money and junkets kind of occupation is all. And writing isn't a holiday, its a job (and often a compulsion). I think I'm probably repeating myself on this topic but I still hear the same misapprehensions when I talk to folk so I guess it bears repeating.
I also wanted to say that I am changing my mind about writing rules and writing advice. Go check out this smart link over at writer Helen Lowe's blog on Ten Bits of Advice Writers Should Stop Giving Aspiring Writers (warning - lots of swearing). I especially like the one on show don't tell (2) and on watching what you say on the internet (4). I've always been one for keeping both show and tell in a story (I find reading all show gives me a headache). As the blogger says - both have their place. I think I want to change my stance on adverbs too. They can be a bit of a lazy option sometimes but sometimes they are the right word for the job.
There is heaps of advice out there and lots of rules and some of it is good but its important to not feel straitjacketed by it all. Advice and rules can be a comfort and sometimes a lifesaver - something to cling on to when the creative seas get rough. But they aren't a cure all or necessarily your saviour. Following them can help make you a better writer and can help you improve your understanding of writing and storytelling, but sometimes you need to ignore the advice and the rules and sometimes you have to break them. They're your friends, not your masters. Don't be their slave.
I also wanted to say that I am changing my mind about writing rules and writing advice. Go check out this smart link over at writer Helen Lowe's blog on Ten Bits of Advice Writers Should Stop Giving Aspiring Writers (warning - lots of swearing). I especially like the one on show don't tell (2) and on watching what you say on the internet (4). I've always been one for keeping both show and tell in a story (I find reading all show gives me a headache). As the blogger says - both have their place. I think I want to change my stance on adverbs too. They can be a bit of a lazy option sometimes but sometimes they are the right word for the job.
There is heaps of advice out there and lots of rules and some of it is good but its important to not feel straitjacketed by it all. Advice and rules can be a comfort and sometimes a lifesaver - something to cling on to when the creative seas get rough. But they aren't a cure all or necessarily your saviour. Following them can help make you a better writer and can help you improve your understanding of writing and storytelling, but sometimes you need to ignore the advice and the rules and sometimes you have to break them. They're your friends, not your masters. Don't be their slave.
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