Who was driving and where were they headed?...

From today's TV3 news headlines e-mailout "Police Find 14 Sheep Crammed Into a Car" - as a writer for children I love this kind of headline. Of course, as an animal lover, my first thought was for the welfare of the poor creatures, but the second thought following swiftly after the first was, which sheep was driving, and where were they headed? A bar perhaps...? Okay maybe not a bar if its a story for children but this is a headline ripe with possibilities. Trouble with me lately is that story ideas are popping out like, well, popping corn. I've had three new novel ideas in the last week (one the result of deciding I rather liked the word Runny as a character's name). And like me, my ideas are annoyingly impatient. I have two other must-do projects on my plate at the moment and these ideas keep bouncing excitedly into my mind's eye. I love new ideas, I just wish they had better timing. I am at the hard part for both projects which renders me especially distractable. And being generally undisciplined just adds a degree of difficulty. I need to be locked in a cell, or become a hermit or take Holy Orders.....

And no matter how pressing my deadlines are, as expectations continue to be inversely proportional to reality I have been desperately craving distraction in the form of good-dumb-fun movies. I've recently seen Iron Man 2 and Prince of Persia and while neither are optimal examples of their genre or form I have thoroughly enjoyed them none-the-less. They are pure escapism with my favourite kind of leading guy (buff, handsome, witty and smart and not Tom Cruise) and those hours in the cinema have been most fortifying.

And now, courtesy of the miracles of modern technology, this week you can find me in several locations at once. I shall be, as always faithful friends, burbling on here at my very own blog while simultaneously guest blogging over at UK blog Tall Tales and Short Stories.

Book Launch Etiquette - part deux - how to behave at one...

So I promised a part two on Book launch Etiquette - how to behave when you are a guest at a book launch. As with being the feature author of your very own book launch, the key is, be professional. As a guest, its all about someone else and their book and the promotion and sale thereof. So they won't be handing out their publishers/agents/editors details to you. They don't have time to read and comment on your manuscript - do not even put it in your handbag/briefcase to bring with you. And they won't have time to tell you how to get your book published. A book launch is the very public birth of something the author has laboured over (like a pregnant elephant) for months, maybe even years. They want it be born alive and grow up to be hugely successful like any proud parent would. Whilst birthing their own they cannot spare a moment to help you get pregnant with your very own book/baby. And if you already have a number of prodigious book children of your own they should be left at home.

If you can afford to, buy the book. If the queue is long and you are close friends with the author get them to sign it another time. If you do queue, don't chat for hours with the author unless the queue is short or non-existant in which case you should go round several times, talk until more people line up and check if the author needs some fortification or refreshments. Relax and watch how its all done so you'll have some ideas when its your turn. I think its ok to chat with the venue hosts about holding your own launch there if you are planning one and you like the set up. Its okay to meet the author's publisher/agent/editor but not ok to give them your manuscript. Let them set the tone of the conversation. Of course if they say 'so tell me about your book' or 'would you like to come in and discuss your work with me' thats different but don't kiss them or hug them too tightly if they do. Remember, good guest behaviour has a karmic quotient. Be the kind of guest you would want at your own gig.

Today's juicy link is on 9 unsavoury character traits of real authors from the tastily named Feckless Goblin blog via Maureen Crisp's Amplify Blog thing at which you can find all sorts of amazing links. I also rather liked this from The Rejectionist. I laughed.

A brief interlude...

I am nattering about all sorts of writery stuff on Wednesday June 9th at the Epsom Community Centre along with writer and sometime Iowa Resident, and all round fab person Kathy White, starting 7.30pm if you want to come along and ask me any impossible questions and reveal that you secretly read my blog. Check out the Kiwiwrite4kidz website and click on 'events and workshops' for more details.

Book launches - Part One or How to Hold One...

People often come across my blog with the search engine 'Book launch Etiquette' so I'm guessing there's a need in the marketplace for information on how to run, behave at or generally conduct oneself at a book launch, whether its one's own or someone elses. I'll split this post in two with part one covering how to behave at your own do and part two talking about attending someone elses. If your manuscript has become a book there are several good reasons to have a launch. 1) to promote your book, 2) to sell your book, 3) to celebrate the fact that your work became a book, 4) to eat cake and drink wine with good friends and family, 5) and to say thank you publicly to all the people who made it possible. These are all important reasons and the way to cope with all that may be required of you as host/hostess, guest of honour, author, family member, friend, party person and marketing sales-person is to follow one simple rule: - be professional. You can be kooky, flakey, shy, silly, and giggly but not disrespectful, arrogant, obnoxious, drunk or crass. Your book launch doesn't need to be lavish or require formal dress. The book business being what it is today, there isn't much spare cashola around to drink Bollinger and have foie gras and caviar. Do try and find a venue that can handle credit card, cash and cheque sales of your book e.g. a bookshop or other retail outlet. Also make sure the venue owners/organisers want you there/support books and it helps if they've done book launches before (although theres a first time for everyone). Its good to have some nibbly food and a variety of drinks (wine and juice or tea and coffee) and remember if you write children's books something the small fry can eat but that can still be vacuumed up if its been ground into the carpet. Marshmallows clean up surprisingly well. My last book launch was in a toy shop which sold books and the children were happy to wander round and let the grown ups spend money on their behalf and chat about grown up things which was rather nice (thank you Mainly Toys in Mt Eden Rd). Have a short speech prepared and I REALLY recommend making a few notes about who you want/need to thank because it is very easy to forget someone. I will forever be haunted by my failure to thank a whole bunch of deserving folk at the NZ Post Children's Book Awards last year. And its good to remember you can never say thank you too much.. Jokes can be hard to carry off but work more often than not so I'd say give being funny a go. Try and recruit a few willing helpers/slaves to do errands during the event (what! No plastic cups/serviettes/knife to cut the cake and the toilets locked/blocked/without loo paper?) and clean up afterwards. Dress nicely in something that makes you feel fab. Selling books is one of the aims but on the day I try not to dwell on this as it's in the hands of the Gods by then. If you have invited lots of good friends, family and publicised the event, chances are a few books will be bought. Practice a signature before hand and its good to think up a few suitable phrases that fit with your book for book signings. If nothing fits or your mind has gone blank Best Wishes and Happy Reading are trusted standbys. And last but not least try and enjoy yourself. If you are the nervous, shy type (as so many authors are) organise a reward for yourself when the launch is over - dinner out, a large block of chocolate, whats left of the wine, a sleep in with breakfast in bed the next day. This list is not exhaustive so feel free to mention any other handy hints in the comments section.

NZ Children's Book Scene Name Dropping Alert...

Had an enormously fun day yesterday. In the lead up to last night's NZ Post Book Awards at which the baton was passed to the 2010 Children's Choice Award winner, I had a day of catching up with a host of fab writery people in town for the event. The day began with morning tea with my mentor (from the NZSA mentoring program and under whose guidance I wrote Jack the Viking) Barbara Murison who'd come up from Wellington for the awards. She'd invited her past and present Auckland mentees Victoria Azaro, Julie Scott and Elena de Roo and of course Me. After a spot of light lunching and shopping (naturally) I then had afternoon drinks with Kyle Mewburn and his wife Marion, Des Hunt, his wife Lyn, Jill Marshall, Fleur Beale and Crissi Blair. Then it was on to the pre-awards drinks put on by Scholastic where I got to chat with Diana Neild, Maria Gill and Thelma Eakin, Brian Lovelock and Sher Foley, Anna Gowan, Sarah Anderson and Kim Dovey, Dianne Boles, Sarah Forster and Rob Southam and a host of others. All of this was just such a lovely treat. I could talk books and writing all day, every day and to be able to have these conversations with such a talented brilliant group of people was totally delicious.

Well done to ALL the NZ Post Children's Book Awards finalists (thanks to the ever fabulous Fifi Colston who kept me up to date with the results as they happened) - To get there is huge. And to the winners a big congratulations:-

Non-fiction winner Janet Hunt for E3 Call Home

YA winner Mandy Hager for The Crossing

Junior Fiction winner James Norcliffe for The Loblolly Boy

Picture Book winners Kyle Mewburn and Rachel Driscoll for Old Hu-Hu

Picture Book honour award Margaret Mahy, David Elliott and Tessa Duder for The Word Witch

Children's Choice winners Craig Smith and Katz Cowley for The Wonky Donkey

Best First Book winner David Hair for The Bone Tiki

And the overall grand poobah's are Kyle Mewburn and Rachel Driscoll for Old Hu-Hu

Lucky NZ Children is all I can say :)

He talked, he sang, he wowed us all...

I always put my mobile phone on 'silent' during a school visit and check for messages during breaks. This morning at Kohia Terrace school (yay for yet another wonderful enthusiastic librarian and supportive teachers - I hope those fab children realise how lucky they are...what good hands they are in) I checked for messages at morning tea time to discover several missed calls. I had a message and listened to discover my son wasn't at school and they were just checking that I'd forgotten to call in that he was sick or whatever. Well no, actually, I'd waved goodbye to him and one of school mates at 8am. He's not into wagging. Was he lying in the middle of the busy intersection en route, knocked off his scooter by a car? Was he some Junior John Doe in the emergency department of the city hospital? I tried ringing the school back to no avail. I tried to ring my SO so he could find out what had happened, with no luck. And I spent the last two 45 minute sessions talking and reading over my fears and concerns. This was a miserable distraction but if nothing else I'm pleased that I managed to stay calm and deliver my talk without revealing my inner turmoil. (Yay just had a phone call now at 2.15pm from the lad himself, at school, in perfect health).

Over the weekend it was the Auckland Writers and Readers Festival. As it's a festival comprised of mostly writers of adult literature which I usually don't read, in the past I haven't attended. This year I thought I'd give it a go. Lionel Shriver (I haven't read any of her books, but I have read some interesting articles about her) was smart, thoughtful, dry and funny. When she read from her own material I made a mental note to try one of her books in future. Next up was Charlie Higson. I've not been a huge fan of the young James Bond series. The writing is very much in the Iam Fleming style (as you would hope and expect it to be) but I don't think you'd find me reading much Fleming either. But I used to watch the Harry Enfield comedy show and Charlie Higson both wrote material for this and appeared in the show (as well as the Fast Show amongst others) and I rightly assumed this would make for an entertaining hour. His current venture is into mid grade horror and I liked the fact that he didn't hold back for this age group. He tests his material out on his young sons and uses them as the yardstick for how far to go. I felt jealous at his lucky breaks (he went to University with comedy writer Paul Whitehouse and Harry Enfield, and was asked by the Fleming Estate to do the Young Bond Series). Lucky breaks were an even bigger feature of the David Levithan session. I was already a fan having reading Nick and Norah's Infinite Playlist and David didn't disappoint. Funny, witty, seriously talented and prodigious, he talked, he sang and he wowed us all with his energy and skills. Like Charlie Higson he didn't shy away from pushing the boundaries with his writing. There's no point being jealous at lucky breaks, as after this session I was sure lucky breaks were searching this guy out in droves. He was generous too and chatted with everyone who wanted books signed. I bought two. Go check out Tania Hutley's very funny blog post here on her thoughts about Mr Levithan. I'm glad I went. I'm not sure if its left me feeling inspired or motivated but i definitely feel the better for it.

Possibilites for fudge reduction...

Further to my witterings on synopses I just wanted to make a mention of an interesting phenomenon I have observed. This is the synopsis written before the book is finished. Sometimes we do it to try and submit and sell the book before completion. Sometimes we do it to enter the incomplete ms in a competition or short window of publishing opportunity that requires only the synopsis and a writing sample - the closing date is zooming toward you at a rate of knots and it takes them at least three months plus to judge or make a decision - you're sure you can get the sucker finished before your fabulous win/contract is announced. For some writers this is how they always do business. Their synopses are perfectly formed mini-me's of their planned novel. They've sold countless works based on synopses alone. This, however, is not me. I am guilty of perpetrating the afore-mentioned phenomenon. And for a while I thought it was only me. But I have recently had evidence that other writers do it too. And what is 'it' you might ask. Well folks its the 'fudged' synopsis. You've written at least half your novel. You know roughly how its going to end, but you're not entirely sure how you're going to get there. As a fly-by-the-seat-of-my-pantser I like to keep things a little vague. I feel like I actually get a better result that way. If my novel is too prescribed it loses some of the magic and it becomes boring to write and assuredly boring to read. The problem here, of course, is that when you try summarise something not yet written, the vagueness shows. Publishers must recognize that fudge factor. They must know your manuscript is not yet finished. And I didn't appreciate this until I read someone else's fudged synopsis. I could easily tell the novel was not yet finished just by looking at the synopsis. Now the big daring question I'm going to pose here is - does it matter? I'm thinking it depends on the novel. If the story idea is strong and the writing is strong and they like the story and the writing in the sample, and you look like you know what you're doing I'm picking it might not matter. It might depend on who the publishers/judges are. If they are keen on a completed novel then it will matter but you won't have been finished in time to submit/enter anyway - nothing ventured, nothing lost. Is there a way around this? If you work as I do, then the possibilites for fudge reduction are not great, although over time I think the quality of my fudging has improved. I guess the bottom line is there may be no solution, there may be no issue, but it pays to put yourself in their shoes sometimes to see how your submission is received. I'm going to assume that if my novel isn't finished when I submit it, they can probably tell. That won't make me stop submitting unfinished stories if thats the best course of action at the time but I have to appreciate that they know and what that knowledge might mean.