Thursday, July 9, 2026

Getting through the (latest) doldrums, even if you only have a teaspoon to row with...part deux

 

I came across an old post from around ten years ago and discovered it was still relevant and might bear repeating. So here 'tis ...

While my poetry (both adults and childrens) is being picked up here and there ... it has been a little while since I last had a story (of any kind) accepted. I have had droughts before and they are never fun. As I quoted in that past post - it's a whole lot harder to stay published than to get published. For those of you still trying to break in this can seem counter-intuitive. Surely once you are 'in' you know the secret of how to achieve an acceptance. Except the secret isn't really a secret. It's producing a well enough written story that a publisher can see the merits and the potential profitability of. You don't need an introduction, or to 'know' someone. There's no special handshake or password. In the beginning, I just kept sending my stories in, and working on new ones until one stuck. No secrets. Now, I do the same. Sending stories in, working on new ones, hoping like crazy. Persistence really is a useful quality in this business. And even then, when your story is good and smart and saleable it might still fall into that bottomless crack that exists between 'same, same, but different', 'one out of the box' or 'just before (or after) the crest of a trend'. And there is always the publisher's box to be ticked which has no definition, they just know it when they see it, and no they can't explain what that means. No secrets, some magic. Rinse and repeat.

So you've succeeded a few times and you are slowly understanding how things work and getting the hang of this business. How can this make things harder? This seems like an advantage, and of course, to a certain extent it is because it streamlines the process of submission. But it doesn't make them say yes in any different ways, or more often than they did before. In the mean time trends are shifting and changing, and the economies of countries are contracting or contracting some more. Publishers may want to invest in your next book but their money must be spent as wisely as possible to enable their business to continue and there just may be less of it to spend on everything, because trends, global financial stuff, changing platforms, latest thing, and most probably all of the above. If your last book didn't sell as well as they wanted then that will have an impact on whether they take your next book. Even if they really want your next book. And you've honed your voice and style and that shines through in all of your stories and is that what people want, or don't want, is it tired or is that how the fans you do have know you best and is what they wait impatiently for. And do the publishers want more of that or are they searching for new voices?  And yet in amongst all of this you are changing too. All the things you've written previously have shaped and influenced what you are writing now. And personal things happening in your private life are affecting you too. Books you are reading, world events, life events, aging, families growing or contracting, sadness, happiness, other stuff you do to keep the wolf from the door, or the labrador, cos like you know they eat a lot and are endlessly hungry. You are a long way from your debut you, and you know stuff and that isn't always helpful to your writing.

And of course the fear of never getting published, or not being good enough just surreptitiously transforms into imposter syndrome, or an advanced form of self doubt. It never goes away. It is stubborn and pernicious - damn it.

So, what do you do?

The only thing you can do, if you want to advance to be an established writer. You utilise all that change and growth and labrador drool and keep banging away at the keyboard. And you stick all of that experience in your stories and your writing. And you smack yourself if you say 'I've reached my peak' or 'I know I'm never going to be better than this' because how the hell do you know (unless you are truly clairvoyant but honestly I still don't think that is the final word). You push, because apparently people who tell themselves they can do better, often do. And you remind yourself that fear is something you have previously successfully overcome or ignored long enough to achieve good shit in the past, so you are clearly capable of doing so again in the future. And if something doesn't work you try something different cos that's what you used to do, and how you got published in the first place. And you remind yourself that good ideas have always arrived at their own pace and there's no reason why that should change now just because you're older and wiser.

And then you realise that it is a whole lot harder to stay published than to get published, and you've been staying published up till now and there's no reason why that shouldn't continue if you give yourself half a chance, and that deserves a bloody good pat on the back and some chocolate and maybe a little bit of confetti. No secret, just magic.

Sunday, March 1, 2026

I have things to say ...

I am trying to internet less and be bored more. My mother always told me it was good to be bored. The jury is still out after sixty years and that is the longest debate I have ever had. I have a sneaking suspicion Mum was right and therein lies my pre-teen style resistance.

Anyways, I have been thinking (because I have been interneting less), and it occured to me that as a children's author I am often required to talk on the joy and/or benefits of reading, and the mechanics of writing. I have some good content on those two subjects but I yearn to just sit and yak about why I write the things I write, like authors of books for grown ups get to do. Imagine having a debate on stage with someone who has read and appreciated your work, in front of an adult audience who are curious about how your mind arrived at the stories you tell. I don't want to just give you that content without the cosy armchair and the hot stage spotlight. I'm not sure I can. I want the questions that I am not thinking to ask myself. I want to be surprised and excited about what an interviewer might tease out of my brain. A festival organiser might tell you that the content of children's books are not sexy to an adult audience but those book loving adult minds were built on children's literature. Scratch them and they bleed nostalgia for the books they grew up on. I can never understand how an adult who will name a childhood read as a lifelong favourite will assume a current children's book is superficial with nothing to offer. I have made grown people cry with the content of my stories for young people. I work hard to load them with technique and plant little word grenades that explode with rewards for readers. I am sincere when I talk about how wonderful reading is and good ways for new writers to construct their own stories, but there are corners of my brain that will remain unexplored - I guess you might glimpse them if you read my books. But you will never really know what you have missed. 


What I am reading at the moment. 

I am not finished yet but this is like a ten star read. I cannot recommend it enough.


and also this which is terrifying and hugely important ...



Thursday, July 17, 2025

The journey is the point ....






Well, June was a wild ride: an unexpected trip to the US to ride shotgun for my eldest as she drove from the West Coast to the East, four days in Taranaki delivering poetry workshops to high schoolers and adults, an all day school visit, and some success with my children's poetry. I was thrilled to have my poem Night Craft highly commended by judge Kate Wakeling in the 2025 Caterpillar Poetry Prize - you can check out the winner and second and third place getters here. And another poem (titled Reading) was accepted by The Toy for their Hobbies issue. 

Since then I've had roughs come through for the picture book, Runaway Rooster, coming out next year with Bateman. The uber-talented Lael Chisolm has done a terrific job of bringing little Fred and friends to life. And I was delighted and relieved to find myself chuckling as I read the text when it came through for edits. It'll be fun to share it with y'all when it comes out in 2026. You can be sure I will share the cover here when it is ready.

July has been about catching my breath, working my way through a few jobs and trying to get myself back into a writing routine. How is it that it feels like a writing routine can take weeks to establish and just days to lose? It's useful to have a few goals to keep myself on track. I have a novel to complete (2/3 of the way there!), a poetry collection to work on and a new picture book to complete. None of these things have homes but I believe in the content and these projects are satisfying to work on. I hope that at least one of them might get published but I have to be prepared for all of them to go in the bottom draw. There are no guarantees, ever, and that is okay. What matters is that I will have completed three projects to a standard of my own making. The other day I stumbled across a post on Twitter talking about golfer Scotty Scheffler stating that winning major championships was 'not fulfilling'. The poster said 'There is no greater trap than thinking that the accomplishment of some goal will fulfill you. What will fulfill you is who you become in the process of going for it.' Scheffler had made a comment about being asked about the next goal by reporters at a press conference after winning a tournament. That win was already in the past and they were focused on the next big thing and he acknowledged that for him that was unsustainable thinking. Scheffler said, 'It feels like you work your whole life to celebrate winning a tournament for like a few minutes ... Wherever you are, the goal post is always ten yards down the field. If you develop a mindset: "If I just accomplish X, THEN I'll arrive," you are in for a rude awakening ... There is no arriving.' So however much I might think about a project getting accepted, and then whether it does well, or even if I'm really lucky and it gets some kind of industry award or acknowledgement, I have to remind myself that none of that might happen and even if it does the joy is fleeting. I have to look for a more sustainable kind of joy in the act of creation itself. And the other joys inherent in being a part of the children's writing community. And becoming the writer I want to be.

Thursday, May 8, 2025

More of a statement than a question ...

My SO and I are now empty nesters. After over thirty years we no longer have a child in the house although I guess our youngest hasn't been a child for a while now. He's likely to boomerang back at the end of the year as that is when his studies finish but for now we have gone back to our early days of just being a couple. It is curious, weird, and the quiet is very loud. A friend told me she felt very down when her baby left home. And I appreciated that cos she's not down anymore. But also I felt the permission her admission gave me to feel whatever I was feeling whether sad or happy or something else. Whatever happens, it is a new phase. And some of the freedoms are kinda fun.

I had my first school visit for 2025 this week. I love how the first visit of every year feels like the first visit I've ever done. The nerve of my nerves is outrageous - how dare they act like I've never done this before. So rude. Although there is some value in feeling nervous - it makes sure I am well prepared. And I can report back that it went well, and I even learnt something new. A few years back I came up with a good (kind and polite) strategy to sideline statements during question time. But this week a student made a statement during question time that responded to a question from another student and to one of my stories. It was pertinent and on point and added to the conversation. Afterwards at morning tea a teacher told me that students with ADD will sometimes make statements to show they've been listening to what you've been saying and to connect with you. It is their version of a question I guess. It felt like a game changer to be told that. I don't want to sideline statements anymore. I guess I will need a new strategy to nip anything in the bud which threatens to swallow up the whole question time for everyone but I can see now how statements deserve their moment. You're never too old eh? I have a few more school visits booked in for June and will see how this new thinking on statements pans out and I will let you know what I discover. Fingers crossed I develop the perfect new strategy ... 



Saturday, March 29, 2025

Small things ...

There have been some lovely reviews of our new book BatKiwi and the Big Wet (which came out in February) - by Maria Gill on Kids Books NZ here, on the KiwiReviews site here, on What Book Next? here, and by Paula Green on Poetry Box here. You never know how new work will be received, so it is both a relief and a delight to find readers and reviewers embracing it. Plucky Bat and Kiwi are becoming quite the good problem solvers, reminding us that heroism isn't just about being strong, it's also about quick thinking and team work.

I was enormously touched by Paula Green's generous description of my writing  - Melinda has the ink of bees in her writing pen – her sentences flow like honey. It is honey-bee music and I just love it.this kind of feedback is so very encouraging. Especially as I am now back to working on something novel length. It's an old idea I started ten years ago and it would be brilliant to finally finish it this year. Whether it is publishable or not I will just be very happy to have it completed.

I am also still writing poetry. Mostly for children. I had a bit of a poetry writing drought over summer but that seems to be over for now. I've had some more poems appear on the Dirigible Balloon site - you can see my poems here. Just click on the poem titles to read them. My small children's poetry tribe - The Poets XYZ - are currently running a 100 day challenge (started March 1st) on our facebook page, with the object of writing a children's poem each day, with a weekly theme provided. You can drop in and participate anytime and there is no obligation to show others your poems. While I am not quite keeping up with the pace, I am managing to write a few poems per theme. I really like the idea that by the end of this process I'll have a nice little collection of children's poems across a range of topics. Who knows? I might end up with enough for a wee collection, or at least a chap book. The challenge is a great way to exercise the poetry muscle and I can already feel it becoming more limber and productive. Sometimes too the poem that results turns out to be an adult one so I am increasing my output for both age groups. I am also submitting some of the results. A few rejections have come my way over the last wee while and this has resulted in a lot of doubt on my part. Writing, for me, has always felt like being on the doubt roller coaster. There is never any guarantee the roller coaster has another exhilirating peak to climb, but I haven't quite brought myself to get off the ride yet. Like the novel writing I remind myself that enjoying the process and entertaining myself must be enough. Anything else is a bonus. My ability to believe this varies.

Anyway, here's a poem for children on the theme of 'small things'


I Should Have Muzzled My Mosquito

I had a mosquito as a pet

My friends warned me,

“mosquitos bite people. You’ll

be stuck at home with it, or

will have to muzzle it

if you go for walks.”

But a mosquito is a very

small thing.

I thought I could hide it

in my clothes if we went out.

Unfortunately I found out

my friends were right.

It bit

I slapped.

So I went back to the pet shop

and they had this really cute piranha.




Thursday, February 6, 2025

Don't be the wrong kind of influencer...

You would think, as writers who constantly scrutinise words and their meaning, and agonise over their use and placement in our works, that we would be better at using them on our own behalf. 

Lol.

We are sweet gentle souls who have some terrible habits. We hate to risk offence. I want to bring a few of these habits to your attention, point out why they are not in your best interests, and suggest some better habits.

Stop apologising. Okay. Not all the time, in every instance. Sometimes we do make genuine mistakes and an apology is the best way forward. But I suggest apologising for taking up someone's time to do something for you when that is their job, or for intruding when they are at their desk doing the thing that involves the kind of work you are enquiring about, is unnecessary. Providing an apology indicates there is something to apologise for. The reader of that 'sorry' will go looking for that justification and then feel aggrieved in accordance with that apology. There are many variations of this 'sorry' too. Don't use any 'maybe's' or 'perhaps's', or 'I hope you don't minds'.If you are confident in your approach and your belief that you are within your rights to access their time, attention and services then they will believe you. Of course, there should also be no pushing too far the other way into arrogant or pushy language. It can be good to thank them for their time and attention. Be polite and professional. Be someone other people want to work with. Just don't make excuses for your presence in their inbox. 

So, if you are sending an email or other type of enquiry, check it over for apologetic language before you press send. If you find any evidence of apologising, test it. Is it justified? Are you apologising for just being you? For making the enquiry? Delete that self doubt straight away. 

This applies to your work as well. I discovered that if I supplied any notion of hesitation, disappointment or dissatisfaction with a piece of writing when speaking with others, then they would hear or read the piece with that in mind. They would be looking for what is wrong with the piece, whether there was anything wrong with it or not. And it was my own fault. I'd laid the ground work for that response. I'd suggested there was a problem. Present your work neutrally - let the audience decide objectively. Don't give them any reason to question. Of course there might still be problems but let your readers come to their own judgements - their feedback will be far more useful that way.

Wednesday, January 29, 2025

Taking risks ...

I am not a fan of new year's resolutions. Which is a little flakey because even though the first of January is just another day, like the 31st of december, the beginning of a year still feels portentious and weighty with promise and possibility. Nothing has changed but everything has. There is no mechanism but the slate is somehow empty. So what of 2025? What promise does this year hold?

I tell myself I want to write more. I am doing my best to make the space for this. Wish me luck.

The year is kicking off with the release of the third book in our BatKiwi series. This book, BatKiwi and the Big Wet, illustrated beautifully  by Isobel Joy Te Aho-White, and published by Scholastic, is releasing in February and it is heartening to see a lovely first review here. We have also had an offer to publish My Elephant is Blue (Penguin Random House, 2021), in another territory/language which is very exciting. I thought our wee book had done its dash so it is very cool to see its journey continuing.

I saw A Complete Unknown the other day - the movie about an early phase of Bob Dylan's life/musical career. It was a very good movie. It's had me thinking a lot about creativity, about evolving your work within your art form; what it takes and how it might unfold, about the environment necessary, about how you respond to the market/your audience and how you are allowed to behave. Apparently people will forgive you/put up with a lot if you are a genius. In the movie there is a lot of ambition, selfishness and expectation on display. I am reminded of Henry Thoreau who talked of going to the woods to live deliberately, implying he was isolating himself to think deeply and philosophise, but his wife and (I think) his daughter went too to take care of him. When everyone else is meeting your needs, perhaps it is easier to devote all your time and energy to your craft. Do you have to be selfish to be creative? I certainly think about what is required to improve. Time working on your craft will see improvements. But how do you push through to new heights. What do you need to find another level, to push the envelope to challenge the form? I do think it means thinking less about what your audience expects. In Dylan's case (at least in the movie), he was evolving while his audience were still expecting more work like his previous songs. He took a risk that they would come along for the ride. Obviously we know how that turned out, with 55 albums over more than six decades. I imagine there are also many examples of artists who took risks that their fans couldn't accept. We don't hear their stories. Maybe their artistic endeavours were too avant garde, too experimental or niche? Or just bad. Plenty of experiments fail. I guess it depends what we want out of our writing. I have to accept that I don't always want to play it safe, and that my audience may not always join me on my creative journey. But understanding that and making that choice deliberately makes it easier to accept the outcomes. So maybe this year is a year of greater exploration, of risk taking and envelope pushing. I am kind of excited to see the results.

There's a great line in the movie when Dylan (played by Timothee Chalamet) talks about being asked the eternal question, and his response is a thought provoking tin opener on that can of worms - "They ask me where the songs come from. But what they really mean is why don't they come to them." Perhaps being brave (and maybe a little selfish) and stepping out in to the unknown is where we find the most excitng stories.


Tuesday, December 17, 2024

Annual Stocktake and Crystal Ball Gazing...

It's writery stocktake time, and I have to say, this year has been a bit of a wild ride. I always find it interesting to look back over the year that's been because I always forget things - often the best things - that have happened. And - surprise, surprise! - it's often the bad or sad things that bob to the surface of my memory first, keeping the nicer, happier stuff stuck just beneath, out of view.  


So what went on in 2024 - I had a book contracted (yay!) and a book contract cancelled (boo!). Several other picture book manuscripts didn't find a home, but one of my picture books was published in German. I had poem acceptances and poem rejections (11 children's poems  and four adult poem's appeared on online publication sites this year, with one more children's poem set to appear sometime in 2025). I wrote a couple of writing-related articles for the Sapling, and interviewed fellow writer Feana Tu'akoi for Magpies Magazine. An early chapter book I wrote for the Ministry of Education was published. I was filmed for an NZSA Writers Toolkit on 'Writing Picture Books' and you can check this out here - this was a cool experience albeit fairly nerve wracking, but I've had some very nice feedback from folk who've watched. 

I visited some schools, ran some out-of-school creative writing workshops for intermediate age students, and also gave my one day writing workshop for adults. I spoke to teaching students about using NZ Children's books in the classroom. I was involved in a range of meetings and events as a Trustee on the NZ Book Awards Trust. I was part of a panel discussion on poetry. I did quite a few picture book manuscript assessments, was on the NZSA manuscript appraisal selection panel and did one junior fiction assessment. 

I attended NZSA Board Meetings as a rep and became the organisation's Vice President. Two of my books were shortlisted for the NZ Children's and Young Adult Book Awards. And one was shortlisted for the PANZ Design Awards. And I got invited to be a part of the Bookaroo Children's Literature Festival in Delhi, India. 


Next year is mostly a mystery. I have three events locked in - one is the day long workshop and the other two are small summer gigs at local libraries. I have a picture book, BatKiwi and the Big Wet, coming out in February illustrated by the amazingly talented Isobel Joy Te Aho-White and published by Scholastic. I've resigned from the Book Awards Trust from February next year, so I can devote a bit more time to my own writing. And any travelling we do is most likely to be around Aotearoa/New Zealand. I am super excited by the promise of time - but based on previous experience I know all sorts of unexpected things will pop up and demand my attention. Being an author means many aspects of my work are outside of my control - I am kind of used to it now. I have goals and aspirations but not the kind you can necessarily plan for. I have some irons in the fire - a few things submitted here and overseas, and I plan to keep on writing and submitting through 2025 - after all, that IS a part of my job that I can control. I hope you have some nice surprises looking back over you 2024, and have some cool things to look forward to in 2025. Have a wonderful Christmas and a safe and happy summer y'all - see you on the other side.



Sunday, December 1, 2024

Wandering ...

I have not posted for an absolute age - my sincere apologies! I have been having a bit of a time and it hasn't left much room for other things. 

Towards the end of September I received a most unexpected email - an invitation to participate in a Children's Book Festival. In India. In November. I was a late ring in. Someone had had to pull out. Would I be interested? The only correct answer here was YES!!! so I stepped on to the rollercoaster...

...and I have only just stepped off.  We already had a visit to the US to see our eldest planned and organised for the first half of October. Away we went to San Francisco (a cool city!!), Yosemite (epic!!) and Santa Cruz (surprising!!). 

San Francisco
Yosemite

Santa Cruz


As soon as we got home I started the visa process - how hard could it be right? As other invitees had been knocked back with one kind of visa I was advised to apply for a different kind. This worked for them but I was ultimately rejected with only about ten days to spare. I retried with the original visa type but time was running out and there were public holidays and visa office shut closures and my passport with visa attached did not arrive back until the day before my flight. Lets just say it was a very stressful lead up to a solo trip in to the great unknown.

I was part of the Bookaroo Children's Literature Festival in Delhi from the 8th to the 10th of November. I had a session each day and was able to hang out with other writers and illustrators from around India and the wider world, and watch other sessions, for the rest of the time. Despite Winter being just around the corner it was exceedingly warm and the smog was significant. Monday and Tuesday were a whirlwind schedule of school visits and other events arranged by the NZ High Commission and then I headed home on the Wednesday.

Humayan's Tomb

Eureka Bookstore


I didn't do much sightseeing (except Humayan's Tomb and surrounding monuments and gardens which was epic and wonderful, the complementary museum tour by an expert astounding, and a visit to Dilli Haat Market which was a visual feast) but I got to meet so many wonderful people, young and old, and everywhere inbetween. I was impressed by the children who were enthusiastic and confident and lovely, and at every stage I was so well taken care of. 

Since my return the German edition of Lucy and the Dark, published by Atrium Kinderbuch Verlag, has been released and it has been most exciting to see the response and reviews coming through. I went to the Coldplay concert which I absolutely loved, and now I am just seeing a bunch of rejections coming through for picture book manuscripts and poetry which has brought me back down to earth with a clunk. I'll report back soon with my end of year stocktake, and a look ahead to what 2025 might bring. Talk soon.


Sunday, September 1, 2024

The seas are pretty rough out there...

I thought the year was going fast but even I wasn't prepared for a UK based pocket pal posting about Christmas items already showing up in the shops over there. I wish marketing would stop trying to rush us through the seasons, festive and otherwise; my head is spinning from the unnatural speed of things.

Last time I posted I was talking about the New Zealand Children's and Young Adults Book Awards shortlistings. Well the Awards night has come and gone, as if a fever dream. I came away empty handed but it was an epic evening and children's books were the winner on the night. Ka rawe!! You can check out the winners here.


And here are some pics from the night:

Illustrator, Vasanti Unka, the Dark and I, with our finalist book Lucy and the Dark


Translator Pānia Papa, myself and illustrator Isobel Joy Te Aho-White with our finalist book He Tārū Kahika

I was delighted to receive copies of an early chapter book I wrote for the Ministry of Education. I worked on it while I was away in Shanghai last year and since then it has been edited, checked, illustrated and road tested and I have to say it is a rather lovely wee thing and I am very proud of my part in it.



I have also been working to complete a few non-creative writery tasks so the decks are clear for the last quarter of the year and I am currently on target. In October we will be off to visit our eldest, meeting up with her in San Francisco, and doing a little bit of touring nearby. I have a couple of projects which I would love to get finished on my return. I hate to see them lying half done in the bottom draw.  No matter what their fate might be they deserve to be whole.

And in somewhat encouraging news for the future, I have just signed a contract for a new picture book - coming out 2026 all things being equal. I am delighted and relieved. There's lots of fun language in this one and the potential for some epic illustrations. An illustrator is on board and when details are ready to go I will let you know what's what. Sometimes in the past there have been enormous oceans to cross between books, so it is always a relief to keep my writing career sailing on a little further. The seas are pretty rough out there right now and it is very tempting to climb inside an abandoned shell and clam up. And then something will happen and I poke myself out of my shell and wave my arms and legs around and I find myself a little further along. Who knows where I might end up - at least the journey is never dull.







Monday, July 22, 2024

When some balance is required ...

I've had a few rejections over the last couple of weeks for adult poetry and a couple of picture books. I'm an old hand now - I've experienced rejection many times and know I will get past it but it never fails to sting. So its nice to look at a few positives from the last few weeks to balance things out.

I got sent the final pdf of a wee chapter book I wrote last year for the Ministry of Education that will be published this August and it was wonderful to see the final version. More details on this when I have my own copies in my hot little hands.

I was thrilled to have another poem appear on wonderful poet Paula Green's children's poetry blog, Poetry Box. It's called A Bath in Nature and you can read it here

And I just found out that Lucy and The Dark is a finalist for the Scholastic New Zealand Award for Best Children's Book in the 2024 PANZ Book Design Awards. The full list of finalists can be found here. I think the illustrations and design for this book are outstanding and I am so pleased for illustrator Vasanti Unka and designer Cat Taylor. I feel incredibly lucky they were the team picked for my story.

I received a truly lovely, long and detailed review of My Elephant is Blue on Goodreads which warmed me all over. 

‘My Elephant is Blue’ by Melinda Szymanik is a truly phenomenal book that tackles the complex and often overwhelming feelings of sadness and depression in a way that is accessible and relatable for children. As someone who has personally grappled with "big heavy feelings" and has had to explain these emotions to children, I can wholeheartedly say that this book is an excellent resource.

Plot: ★★★★★
The plot is nothing short of wonderful. It deftly describes the feelings of sadness and heaviness in a healthy and informative manner. The story covers essential aspects such as the loss of appetite, the sense of being weighed down, and the struggle to engage in activities despite the desire to do so. The narrative is both touching and educational, offering a clear depiction of what it feels like to experience such heavy emotions.

Character: ★★★★★
The characters in this book are exceptionally well-developed. The child protagonist, who is dealing with these heavy feelings, is portrayed with depth and sensitivity. The elephant, a personification of these overwhelming emotions, is a poignant and effective metaphor. The family members who support the child are also wonderfully depicted, showing empathy, understanding, and love. This multi-faceted characterization helps children understand that they are not alone and that support is available.

Illustrations: ★★★★★
The illustrations are beautiful and perfectly complement the story. They bring the emotions and characters to life, adding a visual depth that enhances the overall impact of the narrative. The artwork is both soothing and evocative, helping to convey the book’s themes in a visually engaging way.

Engagement: ★★★★★
This book is highly engaging. The relatable characters, compelling plot, and beautiful illustrations will captivate children and hold their attention from start to finish. It’s a story that children are sure to love and want to revisit.

Readability: ★★★★★
The readability is phenomenal. Discussing topics like sadness and depression with children can be incredibly challenging, but this book addresses these issues with clarity and compassion. The language is straightforward yet profound, making it an excellent read-aloud book for parents, teachers, and caregivers.

Enjoyment: ★★★★★
This is a very enjoyable read. Despite the heavy subject matter, the book handles it with such grace and sensitivity that it leaves a lasting impression. It’s a story that offers comfort, understanding, and hope, making it a valuable addition to any child’s library.

‘My Elephant is Blue’ by Melinda Szymanik is an outstanding book that beautifully addresses the difficult emotions associated with sadness and depression. With its wonderful plot, well-developed characters, stunning illustrations, high engagement, phenomenal readability, and overall enjoyment, it is a must-read for children and adults alike. This book is a fantastic tool for teaching children about these complex feelings in a way that is both compassionate and comprehensible. Highly recommended.

I also had this one. 

'Too long for storytime.'

She gave me four stars though, so it wasn't all bad. If nothing else it's a salutary reminder that different readers will have different response to the same material, and you can't please all of the people all of the time. Back to the writing and lets see what else this week brings ...

Sunday, June 9, 2024

Lightning struck twice ...

AAARGGGHHHHHHHHHHHHHH I'm a finalist!!! Last thursday June 6th the finalists were announced for the 2024 New Zealand Book Awards for Children and Young Adults and I am more than thrilled to say that Lucy and The Dark, illustrated by Vasanti Unka and published by Puffin (Penguin Random House), is shortlisted for the Best Picture Book Award and He Tārū Kāhika, illustrated by Isobel Joy Te Aho-White, translated by Paania Papa and published by Scholastic, is a finalist for  the Wright Family Foundation Te Kura Pounamu Award for Te Reo Maaori. These are exciting times! 

 




There is immense joy to be found in the pages of a good book, and a finalist list can help you navigate the book shelves in shops and libraries if you are uncertain what books to try. I love that this year's list has been picked with the advice and support of the students of 75 schools across the country - the children have been involved and had their voice heard which is so important for children's writers and illustrators - they are our biggest audience!! But ....

... children's books aren't just for children. I never forget the adult audience when I am writing for children. I know parents, grandparents, teachers, librarians and other intermediaries might be sharing these books with their young charges. It is better to entertain, inform, charm or disarm ALL your potential readers. But there is no reason you have to have a child in tow to enjoy a children's book. A satisfying story is a satisfying story at any age. Ask any adult their favourite book of all and many will recall childhood favourites - these books can leave a lasting impression. And if you have any doubt about how good reading can be for everyone go check out this wonderful article in NZ's Education Gazette. 

So here are this year's finalists. I challenge you to try at least a couple of these. They are filled with terrific writing and illustrations. And feel free to let me know what you think in the comments :-)


Picture Book Award Finalists

• At the Bach, Joy Cowley, illustrated by Hilary Jean Tapper (Gecko Press)

• Dazzlehands, Sacha Cotter, illustrated by Josh Morgan (Te Aitanga-a-Māhaki, Rongowhakaata, Te Whānau-a-Kai) (Huia Publishers)

• Hatch and Match, Ruth Paul (Walker Books Australia)

• Lucy and the Dark, Melinda Szymanik, illustrated by Vasanti Unka (Penguin Random House NZ)

• Paku Manu Ariki Whakatakapōkai, Michaela Keeble, illustrated by Tokerau Brown (Gecko Press)


Wright Family Foundation Esther Glen Junior Fiction Award Finalists

• DoubleDippers!, Raymond McGrath (Scholastic New Zealand)

• Lopini the Legend, Feana Tu‘akoi (Scholastic New Zealand)

• Nine Girls, Stacy Gregg (Ngāti Mahuta, Ngāti Pūkeko, Ngāti Maru Hauraki) (Penguin Random House NZ)

• Take Me to Your Leader, Leonie Agnew (Penguin Random House NZ)

• The Grimmelings, Rachael King (Allen & Unwin)


Young Adult Fiction Award Finalists

• Catch a Falling Star, Eileen Merriman (Penguin Random House NZ)

• New Dawning, A M Dixon (One Tree House)

• The Sparrow, Tessa Duder (Penguin Random House NZ)

• Tonight, I Burn, Katharine J Adams (Hachette Aotearoa New Zealand)

• Tsunami, Ned Wenlock (Earth's End Publishing)


Elsie Locke Award for Non-Fiction Finalists

• Patu: The New Zealand Wars, Gavin Bishop (Tainui, Ngāti Awa) (Penguin Random House NZ)

• The Observologist: A Handbook for Mounting Very Small Scientific Expeditions, Giselle Clarkson (Gecko Press)

• Tuatara: A Living Treasure, Katie Furze, illustrated by Ned Barraud (Scholastic New Zealand)

• Ultrawild: An Audacious Plan to Rewild Every City on Earth, Steve Mushin (Allen & Unwin)

• Wot Knot You Got? Mophead's Guide to Life, Selina Tusitala Marsh (Auckland University Press)


Russell Clark Award for Illustration Finalists 

• Dazzlehands, illustrated by Josh Morgan (Te Aitanga-a-Māhaki, Rongowhakaata, Te Whānau-a-Kai) (Huia Publishers)

• Paku Manu Ariki Whakatakapōkai, illustrated by Tokerau Brown (Gecko Press)

• Patu: The New Zealand Wars, illustrated by Gavin Bishop (Tainui, Ngāti Awa) (Penguin Random House NZ)

• Samples from the Lab, illustrated by Rob Foote (Creativity Unleashed)

• The Dream Factory, illustrated by Zak Ātea (Te Āti Awa Taranaki) (Huia Publishers)


Wright Family Foundation Te Kura Pounamu Award Finalists

• He Tārū Kahika, Melinda Szymanik, illustrated by Isobel Joy Te Aho-White (Ngāti Kahungunu, Ngāi Tahu), translated by Pānia Papa (Ngāti Korokī Kahukura, Ngāti Mahuta) (Scholastic New Zealand)

• Nani Jo me ngā Mokopuna Porohīanga, Moira Wairama, illustrated by Margaret Tolland (Baggage Books)

• Te Pīkari Pipi, Angie Belcher, illustrated by Lily Uivel, translated by Pānia Papa (Ngāti Korokī Kahukura, Ngāti Mahuta) (Scholastic New Zealand)

• Te Pukapuka ka kore e Pānuihia, Tim Tipene (Ngāti Kurī, Te Uri-o-Hau, Ngāti Whātua), illustrated by Nicoletta Benella, translated by Kanapu Rangitauira (Te Arawa, Ngati Porou, Te Whakatohea) (Oratia Books)

• Te Rā Kura Ki Aotearoa, Donovan Bixley, translated by Darryn Joseph (Ngāti Maniapoto, Rereahu) (Upstart Press)


NZSA Best First Book Award Finalists

• A M Dixon, New Dawning (One Tree House)

• Tokerau Brown (illustrator), Paku Manu Ariki Whakatakapōkai (Gecko Press)

• Tangaroa Paul (Muriwhenua) (author), Rere Atu Taku Poi! Let My Poi Fly! (Oratia Books)

• Ned Wenlock, Tsunami (Earth's End Publishing)

• Steve Mushin, Ultrawild: An Audacious Plan to Rewild Every City on Earth (Allen & Unwin)


Friday, May 3, 2024

Unexpected consequences ...

Recently I was asked to do a small paying job after a casual chat at an event with someone I didn't know terribly well at the time. At that same event another chat with someone I'd never met before ended with an invitation to participate in something poetic later in the year.  And not long after I was emailed with some lovely news. A poem I had submitted to this fun and welcoming UK online children's poetry site is to appear in an anthology they are putting together. Opportunities can spring from the most unexpected places. This is not why we have the chats or go to events but it is a reminder that this business can be full of good unexpected consequences if we actively participate in it.  

I may have talked about this before. I know I have definitely mentioned that being a writer is a long game. Every part of the process tends to be fairly slow as a rule (to which there are always exceptions), and some outcomes happen years after the wheels were set in motion. But sometimes things also follow a pathway that no one can see or takes the road less travelled popping up in a different, sometimes better destination than you had in mind.  We can't anticipate how things will play out. How can we plan accordingly? How can we control any of it? For the most part we can't. But there are some things to keep in mind as you traverse this crazy book writing journey.

Our industry is a community. It is good to join it and participate in it, whether on the periphery or fully immersed (or anywhere on the spectrum inbetween). Everyone is there because they share your passion - this is your tribe. And your tribe will embrace you, support you and be the font of opportunites. And you will have the chance to give back in your turn.

Be true to yourself. If you always do what is right for you and reflects who you are inside and out, then any outcomes will be the right ones for you. They will be more satisying and your journey will have consistency as a result. With the long game, and continuing community participation, others will see this too. And sometimes this leads to other opportunites you had not anticipated. Keep working on your body of work. 

Be polite and professional. Make this a strand of your brand. People will want to work with you if you are good to work with. 

Enjoy everything in the moment as much as you can. Keep copies of any good news you get so you can remind yourself of it when you need a boost. Be hopeful. Trust your intuition. Don't let failure undermine you. The writers you admire have had their failures too. And failures can also end up having good outcomes, because remember, this is a long game. 

And here is a poem I wrote that I am a wee bit fond of - just a lil bonus content for you: 


Revolution

the world cannot turn like it

used to - it creaks and groans

with nothing left to grease it

the oil long since mined

pimped, pumped and spent

leaving a grimy film on the

sky like a weighted blanket

 

the world cannot turn like it

used to – swollen tides

climb out of the sea to

wash the dirt of houses and

gardens, fish cooked and

oversalted gasp on beaches

there are rivers in the sky

 

the world cannot turn like it

used to – the poles want change

will there be a gentle pause

and reverse, or a jolt

no less than we deserve

shucking us off into the

waiting hell of the heavens

 

I guess we shall see what the revolution brings

 

Melinda Szymanik


Wednesday, April 10, 2024

A bag of cats ...

I finally sent off my last piece of non-fiction writing on Monday - a report - that was on my list of to dos. It's taken me two and a half months to reach this point, and I tell y'all my mind is a bag of cats right now. I decided to take a few days off but I am not yet feeling rested - too many cats up there, I tell ya.

Over the weekend I got to read my poem Pet Lessons and a couple of others at the launch of Takahe 110 at The Open Book in Ponsonby. You can read my poem here or check out all the goodness here.  Despite some nerves, I enjoyed reading my poetry aloud. And I loved hearing the work of others. The whole event felt warm and inviting and supportive. Note to self 1: attend more poetry reading events. Note to self 2: write more poems. 





I have sent a couple of picture book manuscripts off into the ether (fingers crossed for these babies) and am waiting on edits for another in preparation for its publication hopefully later this year. Now I want to work on a couple of longer projects but I am finding it hard to settle in to it. The end of daylight saving doesn't help. Is it just this year or is every autumnal 'fall back' accompanied by this amount of sleep adjustment? It also doesn't help that the nights are unseasonably warm. I also navigated my first school visit for the year, talking to Year 7s and 8s at St Kentigern Boys' School on Monday. It was a fun session with such lovely students. I have another booked in for July at a primary school and a couple of creative writing workshops earmarked for May. It's good to have a mix of things on the schedule because I think I work better when time is somewhat limited.

I was excited to see some lovely reviews of Sun Shower on the KiwiReviews site here:  

I think what first drew me to Sun Shower was the quality of the illustrations. Isobel Joy Te Aho-White has done a superb job in capturing the essence of the differing landscape patterns of Aotearoa New Zealand with the weather variations unfolding in the sky above. 

The text contains a powerful message about diversity, cooperation, and friendship. Melinda Szymanik has started with a scientific concept and presented it in a context that even very young children can understand.

I was apprehensive as to whether my 10-year-old would stay interested in the story, but knew my 7-year-old would stay till the end, but to my surprise my eldest was captivated, and it even opened up conversations about other weather patterns and how they are formed. I recommend this book as a cute story to show that even though people maybe opposites, they can still get along and still create something special.

And the book is currently hanging out at the Aotearoa New Zealand stand at the 2024 Bologna Book Fair, along with many other superb local titles. I hope some international rights get sold!!

Monday, February 26, 2024

Ready for the 100 day challenge?

Happy New Year! I can't believe we're just about to say hello to March. The last few months have galloped by and seem to have been all about poetry and non-fiction for me.

I received a lovely email from Roi Faineant Press while I was away over Christmas accepting all three adult poems I'd sent them - Double HappyPlum Jam and The Politics of Pockets - which was a wonderful surprise to end the year on. You can read the poems here. I also received a copy of Volume Ten from Paddler Press in Canada which has one of my poems in it - The Night is Singing. And another three children's poems of mine have been published on the Dirigible Balloon site, most recently The Talk in the Trees which you can check out here. I still feel very much in my infancy as a poet so these results are very encouraging. I feel so slow writing poems - I wish I could speed up. There are a steady stream of publishing opportunities and I never seem to have sufficient new poems to submit - more on that in a minute.

Despite the earlyness of the year I have already been busy with a brace of projects - current status? - two down (I have penned a profile on the wonderful Feana Tuʿakoi which will be in the next Magpies Magazine, and I wrote an article on 'translation' for The Sapling), one to go. There are other small jobs hovering round the edges as well. As is always the way, because I have these jobs on the go, my mind has been busy working out a solution to an old abandoned junior novel. Of course, as soon as I am done with those other tasks my brain will lose interest in the junior novel. I'm wondering if I can trick my brain into maintaining that excitement. It really is a very fickle organ sometimes. Perhaps it needs some specialist training.

To that end, and apropos of my comment earlier about never having enough poetry to send out, a small dedicated bunch of us are running a project which we hope will help build a lovely daily poetry writing habit and result in a good swag of poems. If you are a keen poet you might like to check out the 100 day Poetry Writing Challenge over on The Poets XYZ page on facebook, starting March 1st. I hope I see you there!!

PS: My picture book Lucy and the Dark, illustrated by Vasanti Unka and published by Puffin (Penguin RH) has been shortlisted in the picture book category of the 2024 NZ Booklovers Awards (you can see all of the finalists here ) woohoo!!!, and it is also off to Germany, hopefully for publication there later this year.


Wednesday, November 1, 2023

I'm Back! ...

I'm back! And I have lots to tell you. But while I shrug off my jet lag and catch up on all the admin that awaited my return, here are a few snippets of news to keep you going. 

My new picture book Sun Shower/He Tārū Kahika, beautifully illustrated by the amazing Isobel Joy Te Aho-White, translated into Te Reo by the very skilled Pānia Papa and published by Scholastic NZ has arrived in bookstores. It looks fabulous - I am so pleased - I love the colour palette and generous detail in these books. And there have already been some lovely lovely reviews, on Bob's Book Blog here, and on the KidsBooksNZ site here





And I am thrilled to say Lucy and the Dark is a 2023 Storylines Notable Book!! Below is today's announcement and the complete list of 2023 Notable Books. Congratulations to all the creators!!

Storylines Children’s Literature Trust Te Whare Waituhi Tamariki o Aotearoa is delighted to once again celebrate excellence in New Zealand publishing for children and young adults with the announcement of this year’s Storylines Notable Book Award winners.

“Congratulations to all the creators and publishers of this year’s award winners,” says Storylines Trust chair Christine Young. “These are impressive lists of excellent books in all categories; testament to the strength and depth of local children’s and young adult publishing.

“The strength of publishing in te reo Māori remains evident, with books from a number of publishers. The non-fiction category covers everything from wildlife to environmental issues; sports to New Zealand and Pasifika history. I was particularly delighted to see an anthology of Pasifika student poetry highly commended in this category.

“As ever, the young adult, junior fiction and picture book categories are strong, with books by new and established writers impressing the judging panels.

Clearly the commitment from New Zealand publishers and authors to producing quality books for young people remains strong, and I’d commend these lists of award winners as providing excellent choices for whānau or friends looking for Christmas gift ideas, or for teachers and librarians looking to add to their school or early childhood centre libraries.

“It is so important that our tamariki and rangatahi enjoy reading – and equally important that they have access to high quality books that reflect and broaden their experience of growing up in New Zealand.”

Storylines Notable Books are selected in five genres (picture books, junior fiction, young adult, non-fiction and books in te reo Māori) by expert panels of teachers, booksellers, authors, academics, and librarians from across the country.

The 2023 awards cover books published between 16 November 2022 and 15 November 2023.

Storylines’ Notable Book Award winners provide adult buyers and young readers with lists of the ten best New Zealand books published in the latest year in each genre, that will inspire tamariki and rangatahi and their whanau to share and enjoy reading.

The lists are excellent reading and buying guides for anyone wanting to encourage young people read for pleasure and information.

The 2023 Storylines Notable Books are: 

Non-Fiction

Critters of Aotearoa: 50 Bizarre But Lovable Members of Our Wildlife Community, Nicola Toki, Lily Duval (Penguin Random House NZ)

The Observologist – A handbook for mounting very small scientific expeditions, Giselle Clarkson (Gecko Press)

Good Sports: A Storybook of Kiwi Sports Heroes, Stuart Lipshaw (Penguin Random House NZ)

My First Words About Tikanga Māori, Stacey Morrison, Kurawaka Productions (Penguin Random House NZ)

Patu: the New Zealand Wars, Gavin Bishop (Penguin Random House NZ)

Those Magnificent Voyagers of the Pacific, Andrew Crowe, Rick Fisher (Bateman Books)

Mangō: Sharks and Rays of Aotearoa, Ned Barraud (Te Papa Press)

Tuatara, a Living Treasure, Katie Furze, Ned Barraud (Scholastic NZ)

Wot Knot You Got? Mophead’s Guide to Life, Selina Tusitala Marsh (Auckland University Press)

Ultrawild an Audacious Plan to Rewild Every City on Earth, Steve Mushin (Allen & Unwin)

Highly Commended

Pasifika Navigators – Pasifika Student Poetry Collection How Did I Get Here? Soliloquies Of Youth, Darcy Solia (Illustrator) ***Note: The poetry includes 52 Pasifika student contributors (Mila’s Books) 

Te Reo Māori

Te Rā Kura ki Aotearoa, Donovan Bixley, Darryn Joseph (Translator) (Upstart Press) 

Tōku Whānau Rerehua – My Beautiful Family, Rauhina Cooper, Isobel Joy Te Aho-White (Oratia Books) 

Ko Ngā Whetū Takirua o Matariki, Ko Waitī rāua ko Waitā, Miriama Kamo, Zak Waipara, Ariana Stevens (translator) (Scholastic NZ) 

Ko Tama me te Taniwha, Melanie Koster, Monica Koster, Pānia Papa (translator) (Scholastic NZ) 

Riwia me te Mātai Arorangi, Linda Tuhiwai Smith, Isobel Joy Te Aho-White (Huia Publishers) 

Ko Te Wai, Ko Tama Me Te Marama, Linda Tuhiwai Smith, Isobel Joy Te Aho-White (Huia Publishers) 

Ka Wehi Au Ki Ngā Wenerei, Linda Tuhiwai Smith, Isobel Joy Te Aho-White (Huia Publishers) 

He Reo Iti Noa Ahau, Linda Tuhiwai Smith, Isobel Joy Te Aho-White (Huia Publishers)

He Mahi Taunga Kore, Linda Tuhiwai Smith, Isobel Joy Te Aho-White (Huia Publishers)

Young Adult

The Sparrow, Tessa Duder (Penguin Random House NZ) 

Catch a Falling Star, Eileen Merriman (Penguin Random House NZ) 

The Other Brother, Jax Calder (OneTree House) 

The Edge of Light: New Dawning, AM Dixon (OneTree House) 

Iris and Me, Philippa Werry (The Cuba Press) 

Flying and Falling, Lynda Tomalin (GlitterInk Press Ltd) 

The Impossible Story of Hannah Kemp, Leonie Agnew (Walker Books Australia)  

Junior Fiction

Tūī Street Legends, Anne Kayes, Craig Phillips (Wildling Books) 

Below, David Hill (Penguin Random House NZ) 

Pipi and Pou and the Tentacles of the Deep, Tim Tipene, Isobel Joy Te Aho-White (OneTree House) 

The Hudson, the Hunt & the Helicopter, Joan Joass (Copy Press Books) 

Jason Mason and the Flightless Bird Fiasco, Jason Gunn, Andrew Gunn (Bateman Books) 

Once Upon A Wickedness, Fleur Beale, Lily Uivel (Penguin Random House NZ) 

Children of the Rush – Book 2, James Russell (Dragon Brothers Books) 

Lopini the Legend, Feana Tu‘akoi (Scholastic NZ) 

RockyBottoms! Big Little Blue, Book Two, Raymond McGrath (Scholastic NZ) 

Like The Wind, J L Williams (Ocean Echo Books) 

Highly Commended

Caged, Susan Brocker (Scholastic NZ) 

Picture Books

Lucy and the Dark, Melinda Szymanik, Vasanti Unka (Penguin Random House NZ) 

Matariki, Gavin Bishop (Penguin Random House NZ) 

Granny McFlitter’s Eggcellent Easter, Heather Haylock, Lael Chisholm (Penguin Random House NZ) 

At the Bach, Joy Cowley, Hilary Jean Tapper (Gecko Press) 

The Great Kiwi School Day, Donovan Bixley (Upstart Press)

E Oma, Rāpeti: Pō Mārie / Run, Rabbit: Goodnight, Norah Wilson, Kimberly Andrews, Pānia Papa (translator) (Scholastic NZ)

Duck Goes Meow, Juliette MacIver, Carla Martell (Scholastic NZ) 

Grandpa’s Dashing Dessert, Tania Sickling, Lael Chisholm (Scholastic NZ) 

Tama and the Taniwha, Melanie Koster, Monica Koster (Scholastic NZ) 

Dazzlehands, Sacha Cotter, Josh Morgan, (Huia Publishers)