Wednesday, February 8, 2017

Managing the news hungry writer...

One day two weeks ago was a red letter day. I got two emails that surprised and delighted me. One was responding positively to a bold suggestion I'd made sometime in the second half of last year. The other was to let me know a short story I'd submitted was accepted for publication. I floated, giddy, for 24 hours and believed in myself for at least 4 or 5 days. Now I'm back to my usual normal grumpy, jittery, self-doubting, frequent email-refreshing self.

As a writer, receiving any news is addictive. Good news makes you happy. Great news makes you high as a kite. And the rest of the time we are in withdrawal. Where the analogy goes awry is that we have no control over the supply of our favourite drug. So we need some management techniques to help us survive the cold turkey times. Because we never know how long they'll last or if they'll ever be over again.

For all the people who say 'but writing should be your addiction', or 'distract yourself from waiting for responses to your submissions/proposals/putting your neck on the line by getting started on your next book' - they are lying to themselves. Or they're not and I'm just so happy for them in their lovely homes in Stepford.

So here are my ideas for getting through...

1) Run away to a far away country where you can ignore the fact that there is no new news (an expensive option and only good for short bursts)

2) Have children so you can sneak a high from their good news. This is a major (and costly) investment but can really pay off in the long run

3) Refrigerate or freeze your favourite emails/letters so you can enjoy them again later. Please note however you cannot refreeze a thawed email, and previously frozen news will deteriorate faster

4) Keep news fresher for longer by watering daily. Some folk recommend a dried arrangement and these will last a lot longer but the colours do fade and they can become very brittle.

5) Fake news is NOT recommended. Especially as it makes the real news harder to identify

6) Don't try and 'be' the news. The media/social media are by their very nature rather judgy and generally harsh critics. Even filters won't protect you

The truth is all news wears out eventually anyway. Careful handling will make it last longer but it will become history at some point no matter what you do. Of course this is a blessing for the less than stellar variety. There will always be periods without news. You will get times where your email inbox goes deathly quiet and the world seems to be spinning on without you. Staying in the game is still the best way to keep new news coming in, but know that the days of waiting and wishing to hear are just a normal part of this job we have found ourselves in. And it pays to remember too that all writers have to deal with the lulls and the cold turkey trough. Hanging out with each other during an absence of news may just be the best way to get through. Be kind to yourself. And nice to each other

Thursday, January 26, 2017

Winging it ...

Hey there (waves). I don't know where you are or what you've been doing over the last month or so but I hope it has been AWESOME!! And I hope you have big plans for 2017. Well, good plans, whether big or small. Good luck for your good plans!

I have one plan for the year ahead, and that is to not have a plan :) I'm kind of winging it (because I figure when you wing it, you might just fly). 

Of course I'm gonna keep doing the key things I always do. My key tasks are to try and produce great content and to deliver the best talks, workshops and readings I can if I am called on to do so. Content, first and foremost, is king. Without it I'm not a writer. If I'm not a writer than I won't be called on to talk books, reading, and writing. 

And I'm keen to enjoy my writing. Feeling joy in the process can't help but leak in to the product. It's a good way to work as a creative, and can easily be forgotten in the drive to capitalise on previous successes or in attempting to meet a market which turns out to be slipperier than a greased seal. So: a passive approach and few expectations, a focus on writing, and a desire to work on things that make me happy.

Okay, so I am cheating a little having actively pursued a few opportunities last year which might bear fruit this year. I already have a few things booked in and they are nicely spread out across the next 11 months. But at the moment taking my foot a little off the gas feels like the right thing to do. This may change though, as conveniently, winging it gives me the right to make it up as I go along (lol, just like writing). 

 I thought it might be handy to start the year off with a few observations

1) If it's really difficult, you're doing it right

2) Believe it or not, it's all about the writing. Just the writing. No, really.

3) Where do ideas come from? Take an interest in things. Be curious. Live your life. Where experience and curiosity and imagination intersect is where ideas hang out. Go hang out there too.

4) If you think other writers have it easier, it's probably because they have chosen not to share about the knocks and struggles they have faced. We are all facing obstacles, wishing things would go a little better, and doing the best we can

5) Don't put off following your dreams until tomorrow. Start as soon as possible because you will always wish you'd started yesterday.

6) Of course it sometimes feels like you have the absolute worst job in the world! All the best jobs do

And in seriously exciting news for the NZ children's literature scene, a new initiative, The Sapling - a new online magazine about children's books. Because books grow children - is starting up soon. This sounds amazing and I can't wait. The founding editors, Sarah Forster and Jane Arthur, are currently running a Boosted fundraising campaign to  enable them to start things off right. If you would like to contribute, go check it out here. They also currently have a facebook page if you want to keep in touch with their progress 


Thursday, December 8, 2016

The end is nigh...

I've started this post about five times - clearly I need more coffee. Hang on, just gonna go make myself a cup. BRB............................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................


So, now that I am correctly caffeinated for my end of year rant, let's get started.

What to say about 2016?

I ended up being way busier than I expected to be, doing a lot of school visits, running workshops and getting involved in some amazing projects. I did heaps more talking (and writing of talks) than I did writing but it was just that kind of year. Thank you to all the wonderful people who invited me to be a part of things. I did lots of things that scared me and for the most part I was so glad I did. Not everything worked out. Some things terrified me too much and I won't be doing them again. Knowledge (and experience) is power. Actually most things will always scare me but some things aren't worth a repeat fright. I guess the bottom line is that doing things that terrify you isn't a cure, it's more of a life management plan.

2016 also demonstrated that it is impossible to plan ahead in too much detail when you are a writer. I put my name down for a couple of things in 2016 but for the most part I wasn't anticipating the invitations, requests and suggestions that I received. I think it's the fruit of my 'long game' philosophy. The last three years have each been distinctive anomalies compared with the previous 13 or so years, (the Dunedin Residency in '14, the Pah Homestead Residency in '15 and the Book Award judging and Otahuhu Project this year). Is three years of different now a trend? I might have a better idea at the end of 2017 so I'll have to get back to you on that one. On current evidence, although I only have a few fixed points (repeats of a couple things I took part in this year), next year has the potential to strike out in a new direction. I suppose enough uncertainty eventually becomes a certainty of its own. I am, if nothing else, adaptable. Saying yes to (nearly) everything is a key contributor to this but I have been liking the results of this approach to my work life so for the moment it's still my MO. I will just have to accept the randomness that comes with it.

My picture book with Donovan Bixley, Fuzzy Doodle, took flight in the middle of the year. It's a thrill to have a book come out and I thank everybody who has encouraged, supported and said nice (or otherwise) things about Fuzzy. Writers pray that their books will be reviewed, so it does break my heart a little when a review does nothing more than summarise the plot, especially when it is just based on the back cover blurb. I've had a few of these for Fuzzy and there is so much more to the book than that. I appreciate that space for reviews is shrinking but I know a lot can be done with so little (especially as a picture book writer). I loved this very brief review of the book on Goodreads by Miss Wilson  - A visual transformation that improves with each page turn, much like the content it discusses literally and metaphorically. Only eighteen words, yet so delicious and intriguing. It can be done! And most recently there was a lovely and thoughtful (and longer) review of the book here by blogger Steph Ellis.

And to cap off an exciting and interesting year, I recently took part in a wonderful event showcasing the students' work from the amazing Otahuhu Project I was involved in. I was so impressed by, and proud of, what the students achieved. They are our writers and illustrators of the future. Thank you to the school, the dedicated teachers, the NZ Book Council and the fabulous funders of this amazing initiative. Long may it continue!


So what of 2017. Just a few things booked so far. And a few more prospects hovering. I have a ticket to see Adele in concert in March and I am out of the country for New Years which will be weird. This last fact somehow seems like some kind of portent about the year to come. That the usual order of things might be shaken up. Time will tell I guess. I'll keep saying 'yes' to things. Keep trying to learn more about this business I am in. Keep trying to pass this information on. Keep trying to produce more written work because without that I will stall, stagnate, become stale. From time to time I throw up my hands and say 'I give up'. Being a writer and staying published has more than its fair share of challenges and issues and more than a whiff of futility about it. On the days that all I can see is the wood of the door I am banging my head against, I feel certain this industry and I cannot remain together. But repeated examination has slowly revealed that it is not what I do, it is who I am. I could no more give up writing than I could stop being human so I shall stay on, thumping the keyboard and staring out the window and into the distance, mulling ideas over and attempting to turn them into stories. 2017? Here I come...

Monday, November 21, 2016

Some info on getting (Children's Books) published in NZ ... shiny 2016 version

I posted some general information on getting published in New Zealand on this blog in 2010. I updated it in 2014 as the industry had undergone a number of significant changes in the intervening years, and now, as it seems to be one of my most visited pages, it seems prudent to update it again. I hope you find it useful. (Sorry about the mismatched fonts and messy layout).

Firstly, if you have completed a manuscript of any stripe, congratulations!! I advise taking a moment to celebrate this achievement. A lot of people talk about writing a book but few actually get as far as you have. Completing the writing of a book is hard work, and requires courage, perseverence and tenacity. Well done! 

So you’ve written 'The End', read and re-read your story umpteen times, checked and re-checked it for mistakes, and edited it till it sparkles – what do you do next? 

In the past I've recommended checking out which publishers were publishing what kind of books and then suggested submitting your manuscript to the publishers most interested in your kind. Now, you must first ask yourself - do I want to seek traditional publication of my work or should I self publish? Do you want to go digital only or have your book in print? Go take a look at sites like Amazon and Smashwords etc... and check out their best-sellers. Some genres sell very well for writers self publishing, and it is an excellent option. Some books do best in print. I think picture books are better in print and would not want to attempt to arrange an illustrator, designer, editor, etc... and the printing of these myself. I want the help of experienced practitioners. On the other hand I am happy to try self publication of a novel (whether in digital and/or print), but in most cases I will pursue traditional publishing first. 

So do your homework before you decide anything. 

Go look herehere and here if you want to know how I tackled self pubbing a children's novel. If you've decided to try the traditional route with this manuscript start here: - 

 At this point you have three options

1)     send it to a manuscript assessor. I know a number of writers who send all of their manuscripts to an assessor before they submit to a publisher. They want to have confirmation that their story works and get advice on improvements. I know other writers who never use assessors, like me. If you choose not to use assessors, if your manuscripts do get rejected it may pay to try assessors to see where and what changes might help you get to a yes. You can find NZ assessors here –

2) send it to a professional editor. If you are not confident in your spelling, grammar etc… a professional editor will help. If you are self publishing using a professional editor is an essential step. There are two key types of editing – copy and structural. Copy editing will correct spelling, punctuation and grammar. Structural editing looks at the story as a whole, does it work, is it consistent, is it logical, would the story be improved by the addition or omission of characters, scenes etc…
“Don’t ask me to proofread my own writing
            I always end up seeing what I thought I wrote!”

I have used one in the past for work that I have or would like to self publish

3) send it to an agent/publisher.

Do you need an agent? When I started out you didn’t need one here in NZ. All the major publishers accepted submissions directly from authors. While most still do, an agent can help. However we have few agents representing children’s material in New Zealand. Agents are listed here - . I believe Glenys Bean is currently not accepting children’s writers. Agents will take around 15% (and up) of any book income from contracts they have been involved with. It is possible to get signed with an overseas agent. Watch out for scammers though. Sites like Preditors and Editors and the Writer Beware Blog list agents and publishers and whether they are professional legitimate operators or not.

Find editors and more assessors here -

How should you prepare your manuscript?

Lay Out

For both physical and digital submissions: Double space your lines and ensure margins on both sides. Do NOT use fancy or joined up fonts. Something easily readable is best (12 point Times New Roman is a safe bet). Number your pages and include your title and name in a smaller point size as a header for each page, so this information is unobtrusive but readily available if required. Print on one side of the paper only if posting a hard copy in.

If you have written a picture book, in my experience you are NOT required to lay your manuscript out as a picture book in order to submit it. As I am now familiar with how picture books are paginated I will break my text up into paragraphs or sections of text that represent each double page spread. If you are unsure, just have the text laid out as if it was to appear as a short story. Remember, each page needs the text to provide a different image from the other pages. Your average picture book has around 14 double page spreads (for a total of 32 pages in the book), but look at a range of picture books to see the different formats and page set ups.

 Important (for picture book submissions): Please note - if you are not an illustrator and are submitting your manuscript to a traditional publisher, YOU ARE NOT REQUIRED TO FIND AN ILLUSTRATOR YOURSELF. Publishers are VERY experienced at matching illustrators with writers. They know way more illustrators than you do. Just send your story in. Also, don't feel you must describe how the illustrations should appear. The more you prescribe how the story must appear, the less able the publisher is to see it in a number of different ways which may work better than what you have envisaged. Remember they do this for a living and are experienced at seeing the potential in a story.

This also applies to artists notes. I don’t tend to discuss the artwork with the illustrator while they are illustrating my stories. It is a leap of faith but they may (and often have) come up with things I could never have imagined that enhance my story. I would limit them by demanding my ideas be used. And I have not yet provided artist's notes. I once heard one publisher say she always threw artists notes in the bin without even looking at them.

Covering letters

You will need a brief covering letter (for both email and posted submissions) which includes the name of your manuscript, the word count, genre, the intended market, a brief outline of the work, and your publishing credits, if you have some. For fiction you will need a synopsis, and either several chapters, or the entire manuscript as per submission guidelines. For non-fiction you generally submit a proposal.

Places to send your work

Always start off by looking at the submission guidelines on the publisher's website. Do what the submission guidelines say – DO NOT DO ANYTHING ELSE. They supply guidelines because this is how they want to receive your stories. You might think it's a good idea to do something different and stand out from the crowd. But all it does is make you stand out for the wrong reasons. Follow the guidelines.

Scholastic NZ - Scholastic are currently only accepting submissions from authors previously published within the last ten years. However they are accepting illustration portfolios from unpublished illustrators - instructions can be found here (publish Kyle Mewburn, Juliette MacIver, Elizabeth Pulford, me and others).

Scholastic will also consider self-published books for inclusion in and distribution through their School Book Club brochures

Unpublished authors can submit work to the Storylines Joy Cowley, Tom Fitzgibbon, or Tessa Duder Awards. Entries close on October 31st every year and this is an excellent way to get your manuscript in front of Scholastic (Joy Cowley and Tom Fitzgibbon Awards) or Walkers Books (Tessa Duder Award) as they read all entries.

Penguin Random House are accepting manuscripts and their instructions can be found here -

Gecko Press - Gecko are accepting manuscripts under certain provisos (previous publication or recommendation via an agent assessor or industry professional) - instructions are here  (Publish Paul Beavis, Juliette MacIver, Joy Cowley, Barbara Else).

Duck Creek Press - David Ling at Duck Creek Press is currently accepting picture books submissions. Instructions here - (Publish Nikki Slade Robinson, Lisa Allen)

Upstart Press - not currently accepting fiction of any kind. Their guidelines are here - . I recommend checking back from time to time to see if this has changed (Publish Donovan Bixley and Joy Cowley)

Oratia Media – are currently accepting submissions by mail. See details here - (Publish Dawn McMillan, Tessa Duder and Tim Tipene)

EK Books - are an Australian picture book publisher (there is a NZ address for local submissions) and are currently accepting submissions, including from NZ. Instructions are here -

Allen & Unwin – an Australian publisher. They accept pitches via email (The Friday Pitch) and respond fairly quickly  – there is a helpful Q&A here -

There are other publishers in Australia you can try - Scholastic Australia, Walker Books, Little Hare, Penguin Random House ( )

Educational Markets 
The educational market is considerably less robust than it used to be here in New Zealand. Many New Zealand children's writers and illustrators got their start with the School Journal - a New Zealand institution for decades - including me.

School Journals - the contract to produce these is currently held by Lift Education.

School Magazine – Australia is another option, and they are happy to accept submissions from New Zealand authors.

What happens next?

Extreme patience is required at this point. Many publishing offices are run with only a few staff, who will read your manuscript and then pass it on to others (external readers, marketing departments etc…) who will assess its qualities and saleability. Reading submissions is fitted around other duties. This may take months and is completely normal and incredibly frustrating. My longest wait for a yes has been more than 9 months. Nos have averaged between 3-6 months but can take much longer.

What I recommend

If you are serious about writing:-

a)     Join some organisations for writers and/or children’s literature such as the New Zealand Society of Authors, Storylines, SCBWI, and online groups like Facebook’s Kiwiwrite4kidz. Somewhere along your journey you will need advice.  If you are looking for a critique group or just like-minded people this is where to find them. Countless times I have needed support, information, encouragement and feedback and many times we have shared information on opportunities and services, and problem solved together over industry issues. The NZSA will check contracts before you sign if you are a member.
b)     Read children's books. Know what's hot, and what's good in the area you like to write. Understand the 'rules' of those types of stories.
c)     Have resources – dictionary, thesaurus, grammar book (Strunk and White), books on writing and ideas (see below).
d)     Protect yourself against scammers. If it seems too good to be true it probably is. If in doubt, google, ask around and/or check in with the NZSA who are there to advise and support and protect authors

DON’T GIVE UP. Your next manuscript might be the one that gets accepted. Every bit of writing you do contributes to your 10,000 hours of practice. The publishing industry is a slow one and should be treated as a long game.

There is general information on 'Writing and Illustrating for Children in New Zealand' here at the Christchurch City Libraries website. This includes submission guidelines for most of the children's publishers in New Zealand

or you could check out the PANZ (Publishers Association of New Zealand) website.

And/or take a look at these
-Writers and Artists Yearbook
-Children’s Writers and Artists Yearbook
-Writers and Illustrators Market
-Children’s Writers and Illustrators Market

These books are published annually are available to buy from good bookshops and are held in some libraries

Writers Organisations
NZSA (New Zealand Society of Authors)
Kiwiwrite4kidz (an online community of local children's writers on facebook)
Storylines (the Children's Literature Foundation of New Zealand)
NZ Book Council
SCBWI (Society of Children's Book Writers and Illustrators - Australia East/NZ Chapter of an  International Organisation)

Handy things to have: -

An up-to-date, reputable Dictionary
A Roget’s Thesaurus
Reference books – Baby names
Dictionary of Classical Mythology
Dictionary of Phrase and Fable
Biographical Dictionary
‘How to’ Books
Books on Grammar (The Elements of Style by William Strunk and E.B.White, Longman)

Thursday, October 27, 2016

Saying 'yes' .......

Crikey - the year has been whizzing past and it is nearly time to go into that phase of looking back over the year that was and musing about the one to come.  There are still a few engagements left on the work calendar but things are winding down. Already there are whispers about Christmas functions ... Before you can say 'Jack Skellington' we will be hanging Christmas ornaments and sending letters to Sandy Claws.

This year did not turn out at all like I expected. It has had unanticipated busynesses and things not going according to plan. I have been involved in projects, invited places and given some lovely and exciting opportunities that weren't on my radar at all this time last year. I have traveled far more than I anticipated, and I will be off travelling again before the year is out. I was commissioned to write some small things and got to try my hand at something new, writing a skit for Wild Things Magazine, a children's quarterly put out by Forest and Bird (Issue 132 Spring/Koanga 2016). I enjoyed the process much more than I thought I might, accompanied as it was by the discovery that in the end, despite my fears, this wasn't a skill that lay outside my abilities.

I have an informal rule of saying 'yes' to everything (unless it involves me being in two places at once) which I almost always adhere to, and so far this has turned out way better than I expected. Without that rule I would be cocooned in my comfort zone without any of the new skills and experiences I have picked up because I ignored my inner voice and said 'yes.' Of course it means I feel anxious before everything. If you live on the far edge of the envelope this is hard to avoid. Should I discover a means of managing this I will let you know.

 Next year currently looms as a vast sea of potential with almost no fixed points apart from family events and if experience has taught me nothing else, I know that things will turn up: opportunities, invites, requests and my own ideas and efforts that I can run, jump and play with to see what shakes out. And if 2017 turns out to be a quiet one, this too will be good. I have a list of Plan B's for these times and like the book piles beside our beds this never gets shorter. It would be good to cross a few things off the list faster than I add things.

This year too I got to launch Fuzzy Doodle in June. There was a lovely blushworthy review of the book on Radio New Zealand today by John McIntyre from The Children's Bookshop which you can listen to here if you like. 

And next weekend on Saturday November 5th I will be giving another workshop on writing picture books at Selwyn College.  Info and registration can be found here.  

Wednesday, October 5, 2016

Why New Zealand literature deserves your support...

New Zealand literature is a necessary thing...

My parents were immigrants. World War 2 pushed them out of their home country Poland and brought them, via a truly circuitous route, to New Zealand. I was born here about seven years after their arrival.

My Polish heritage informed so much of my early life. The food we ate, the people we socialised with, the traditional folk dancing I learned, the national costume I owned and sometimes wore. To my regret, I didn't learn the language. In my tender years I didn't appreciate the value of doing so. I found it hard. And I eagerly embraced the language of my peers (I love the English language. We are always doing gymnastics together). But at school I enjoyed having this exotic Eastern European background. I was the only Polish kid in class. It felt special. So I wore it with pride.

I was a booky kid. I read a lot in school right from the beginning. I hung out at libraries all the time. The Lion,The Witch and The Wardrobe (although I started with The Silver Chair after picking up the hardback for a bargain price at a school fair), The Famous Five, Paddington Bear, The Moomintrolls, Baron Munchausen, The Moon in the Cloud, The Wolves of Willoughby Chase, Little House on the Prairie, Nancy Drew, Trixie Belden, The Hardy Boys, The Hobbit, The Weirdstone of Brisingamen, Flambards, The Outsiders, A Wizard of Earthsea, The Dark is Rising, Fairy Tales, The Odyssey, Robin Hood, King Arthur and the Knights of the Round Table and many, many, many more. Are you sensing a theme to my reading yet?

The only New Zealand literature I was exposed to as a child was what the School Journal provided. There was no Margaret Mahy or Joy Cowley, Maurice Gee, Fleur Beale or David Hill back then. I read one short story by Witi Ihimaera and didn't understand it at all, because it was a single drop in a vast ocean of the European and US literary heritage I was consuming in vast quantities.

It became difficult to sustain the atmosphere of Polishness as we all grew up. We had to get on with our Kiwi lives. We didn't forget but wore it more on the inside than the outside. And the pre-war Poland of my parent's experience was unreachable, existing in memory but no longer in reality. And my empathy and understanding of people and the world learned through books filtered everything through a foreign lens. What is it to be a New Zealander? I'm still figuring it out. I can't help always feeling a restlessness that can't be answered, predicated as it is on a nostalgia for a lost heritage that can never be recovered, and a literary education built on cultures to which I can never belong.

If you want New Zealand children to understand their own culture, to feel it in their bones, then it must be provided to them in their literature. It helps ground them, makes them feel strong in their roots, connects them to this place and to each other. It reflects their experience back at them, reinforcing its value. We must embrace our own literature. It is a tremendous gift that must be protected and encouraged. We can't just measure it as a product with sales, because its impact is lifelong, far reaching and life changing. It needs to be everywhere and we need to pay it way more respect then it gets now.

Friday, September 16, 2016

Book Review: Annual....

I was recently sent a copy of Gecko's 2016 Annual so I thought I'd do a bit of a review. It's a bold new step for Gecko, to produce an Annual: a collection of different writing, games, comic strips, poetry, activities and art for the intermediate/young teen reader. I remember owning and enjoying one or two annuals in my own childhood, but nowadays they seem to only be associated with teen boy bands, British icons like Beano and Rupert, or sports teams. There hasn't been anything available that is particularly kiwi that I can recall and as a gap was perceived in reading needs in this age group, Gecko responded with this very handsome book. It was with great interest and curiosity that I dived in between the pages.

I have to say it is rather beautiful, and every care has gone into making something that looks and feels cool and attractive, but is also hard wearing and long lasting.

So, to the contents. There are short stories, comic strips, poetry and essays of varying sizes by writers new and familiar. Names like Bernard Beckett, Barbara Else, Sarah Laing and Steve Braunias alongside Paul Beavis, Whiti Hereaka, Giselle Clarkson and Kirsten McDougall. There are things to do, games, things to make, differences to spot, a play, music, and quirky collected things. It is a superb selection. The writing is smart and assured. Stories examine themes such as family, relationships, finding your own place, growing up and being real. The art work is varied, often fun and always inspiring. I can see children with an artistic bent having a go at some of the tasks, but also trying to imitate some of the styles seen here.

(this artwork by Gavin Mouldey)

There is a really useful guide to visual storytelling. There is humour (poor Bad Luck Zebra) and a funny board game (whatever you do don't land on the square where you accidentally see Grandma naked!). I didn't like everything that was in there, but I think that is to be expected. There is a wide enough variety of theme and style to appeal to a good range of readers. With sophisticated writing, and all of it with an underlying ideas-driven and artistic vibe, this book is for the hungry, confident reader, and I think it will bend and stretch and entertain them in all sorts of good ways.

Out now at good bookstores